Studies in Folk-Song and Popular PoetryWilliams, Alfred M. (Alfred Mason)
History
Studies in Folk-Song and Popular Poetry
Williams, Alfred M. (Alfred Mason)
Folk songs -- History and criticism
and letters of thanks and tokens of gratitude from
the royal hands were heirlooms of the houses. It was a keen pleasure to
the grandfather in his old age to hear the songs and the music which
had illumined the unhappy cause, and it is no wonder that the earliest
inspiration of the young poetess was from such themes, and her keenest
reward to see the blood warming more freely the old man's worn cheeks as
she sang the new and stirring words to the old airs, and found the token
of her success in his appreciation. The greater portion of her Jacobite
songs were composed under this inspiration, and so long as she wrote at
all they were her favorite themes. They are among the finest in what may
be termed the modern Jacobite songs, unsurpassed by anything of the kind
by Burns, Hogg, or Cunningham, and only so by that consummate flower of
all Scotch Jacobite poetry by William Glen:--
A wee bird cam' to our ha' door,
while in the pure singing quality, the lilt and the
verse, there is nothing to exceed the power of--
The news from Moidart cam' yestreen.
The story of The Hundred Pipers an' A' is historically correct in that
there were so many musicians of the class attached to the little army of
the Prince, and that the Highland lads did dance themselves dry to the
pibroch's sound after fording the Esk, but it was not on the advance to
Carlisle, but on the retreat from England, and the scene had doubtless
been often described by the old laird of Strowan.
THE HUNDRED PIPERS.
Wi' a hundred pipers an' a', an' a',
Wi' a hundred pipers an' a', an' a';
We 'll up an' gie them a blaw, a blaw,
Wi' a hundred pipers an' a', an' a',
Oh, it's owre the Border awa', awa';
It's owre the Border awa', awa';
We 'll on and we 'll march to Carlisle ha;
Wi' its yetts, its castle an' a', an' a',
Wi' a hundred pipers an' a', etc.
Our young sodger lads looked braw, looked braw,
With their tartans, kilts an' a', an' a',
With their bonnets and feathers and glittering gear,
An' pibrochs sounding sweet an' clear.
Will they a' return to their ain dear glen?
Will they a' return, our Hieland men?
Second-sighted Sandy looked fu wae,
An' mothers grat, when they marched away,
Wi' a hundred pipers, etc.
O, wha' is foremost o' a', o' a';
O, wha' does follow the blaw, the blaw,
Bonnie Charlie, the King o' us a', hurra!
Wi' his hundred pipers an' a', an' a';
His bonnet an' feather he's wavin' high,
His prancin' steed maist seems to fly,
The nor' wind plays wi' his curlin' hair,
While the pipers blew up an' unco flare,
Wi' a hundred pipers, etc.
The Esk was swollen sae red and sae deep,
But shouther to shouther the brave lads keep,
Two thousand swam o'er to fell English ground,
An' danced themselves dry to the pibroch's sound.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account