Studies in the Poetry of Italy, Part II. ItalianKuhns, Oscar
History
Studies in the Poetry of Italy, Part II. Italian
Kuhns, Oscar
Italian poetry -- History and criticism
With gladness come, which, weeping, made me haste
To succor thee, thou mayst or seat thee down,
Or wander where thou wilt.'"
Thus Dante, having been led by reason (represented by Vergil) to purge
himself of sin and vice, is now to put himself under the guidance of
heavenly wisdom (represented by Beatrice), by whom he is to visit the
homes of the blessed. First, however, he lingers in the earthly paradise
which forms the summit of purgatory, and sees strange sights before
Beatrice reveals herself to him.
The descriptions of the landscape in the earthly paradise are of
surpassing beauty and choice of quotation is exceedingly difficult. Only
a few passages can be given here:
"Through that celestial forest, whose thick shade
With lively greenness the new-springing day
Attemper'd, eager now to roam, and search
Its limits round, forthwith I left the bank;
Along the champain leisurely my way
Pursuing, o'er the ground, that on all sides
Delicious odor breathed. A pleasant air,
That intermitted never, never veered,
Smote on my temples, gently, as a wind
Of softest influence: at which the sprays,
Obedient all, lean'd trembling to that part
Where first the holy mountain casts his shade;
Yet were not so disorder'd, but that still
Upon their top the feathered quiristers
Applied their wonted art, and with full joy
Welcomed those hours of prime, and warbled shrill
Amid the leaves, that to their jocund lays
Kept tenor; even as from branch to branch,
Along the piny forests on the shore
Of Chiassi,[16] rolls the gathering melody,
When Eolus hath from his cavern loosed
The dripping south. Already had my steps,
Though slow, so far into that ancient wood
Transported me, I could not ken the place
Where I had entered; when, behold! my path
Was bounded by a rill, which, to the left,
With little rippling waters bent the grass
That issued from its brink. On earth no wave,
How clean soe'er, that would not seem to have
Some mixture in itself, compared with this,
Transpicuous clear; yet darkly on it rolled,
Darkly beneath perpetual gloom, which ne'er
Admits or sun or moon-light there to shine.
"My feet advanced not; but my wondering eyes
Passed onward, o'er the streamlet, to survey
The tender may-bloom, flush'd through many a hue,
In prodigal variety: and there,
As object, rising suddenly to view,
That from our bosom every thought beside
With the rare marvel chases, I beheld
A lady all alone, who, singing, went,
And culling flower from flower, wherewith her way
Was all o'er painted. 'Lady beautiful!
Thou, who (if looks, that used to speak the heart,
Are worthy of our trust) with love's own beam
Dost warm thee,' thus to her my speech I framed;
'Ah! please thee hither towards the streamlet bend
Thy steps so near, that I may list thy song.
Public-domain text, read in full here on John Shaqi.
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