Studies in the Poetry of Italy, Part II. ItalianKuhns, Oscar
History
Studies in the Poetry of Italy, Part II. Italian
Kuhns, Oscar
Italian poetry -- History and criticism
"Singing, as if enamored, she resumed
And closed the song, with 'Blessed they whose sins
Are covered.' Like the wood-nymphs then, that tripped
Singly across the sylvan shadows; one
Eager to view, and one to escape the sun;
So moved she on, against the current, up
The verdant rivage. I, her mincing step
Observing, with as tardy step pursued.
"Between us not an hundred paces trod,
The bank, on each side bending equally,
Gave me to face the Orient. Nor our way
Far onward brought us, when to me at once
She turned, and cried: 'My brother! look, and hearken.'
And lo! a sudden lustre ran across
Through the great forest on all parts, so bright,
I doubted whether lightning were abroad;
But that, expiring ever in the spleen
That doth unfold it, and this during still,
And waxing still in splendor, made me question
What it might be: and a sweet melody
Ran through the luminous air. Then did I chide,
With warrantable zeal, the hardihood
Of our first parent; for that there, where earth
Stood in obedience to the heavens, she only,
Woman, the creature of an hour, endured not
Restraint of any veil, which had she borne
Devoutly, joys, ineffable as these,
Had from the first, and long time since, been mine.
"While, through that wilderness of primy sweets
That never fade, suspense I walked, and yet
Expectant of beatitude more high;
Before us, like a blazing fire, the air
Under the green boughs glowed; and, for a song,
Distinct the sound of melody was heard."
The poet now beholds a mystical procession of strange and wonderful
beasts, venerable old men, beautiful maidens dressed in red, white,
green, and purple, all accompanying a chariot drawn by a griffin and
representing the Church of Christ. On the chariot itself stands
Beatrice.
Public-domain text, read in full here on John Shaqi.
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