From the first, however, the ‘why?’ and its congeners have reference to the causal idea, to something which has brought the new and strange thing into existence and made it what it is. In truth this reference to origin, to bringing about or making, is exceedingly prominent in children’s questionings. Nothing is more interesting to a child than the production of things. What hours and hours does he not spend in wondering how the pebbles, the stars, the birds, the babies are made. This vivid interest in production is to a considerable extent practical. It is one of the great joys of children to be able themselves to make things, and this desire to fashion, which is probably at first quite immense, and befitting rather a god than a feeble mannikin of three years, naturally leads on to inquiry into the mode of producing. Yet from the earliest a true speculative interest blends with this practical instinct. Children are in the complete sense little philosophers, if philosophy, as the ancients said, consists in knowing the causes of things. This discovery of the cause is the completed process of assimilation, of the reference of the particular to a general rule or law. This inquiry into origin and mode of production starts with the amiable presupposition that all things have been hand-produced after the manner of household possessions. The world is a sort of big house where everything has been made by somebody, or at least fetched from somewhere. This application of the anthropomorphic idea of fashioning follows the law of all childish thought, that the unknown is assimilated to the known. The one mode of origin which the embryo thinker is really and directly familiar with is the making of things. He himself makes a respectable number of things, including these rents in his clothes, messes on the tablecloth, and the like, which he gets firmly imprinted on his memory by the authorities. And, then, he takes a keen interest in watching the making of things by others, such as puddings, clothes, houses, hayricks. To ask, then, who made the animals, the babies, the wind, the clouds, and so forth, is for him merely to apply the more familiar type of causation as norm or rule. Similarly in all questions as to the ‘whence?’ of things, as in asking whether babies were bought in a shop. The ‘why?’ takes on a more special meaning when the idea of purpose becomes clear. The search now is for the end, what philosophers call the teleological cause or reason. When, for example, a child asks ‘Why does the wind blow?’ he means, ‘What is its object in blowing?’ or ‘Of what use is the blowing of the wind?’