From the word ἀγωνίζεσθαι, applied by Herodotus to the recitations at Sicyon, it is plain that they were matches among the rhapsodists. And as the match did not in the main depend upon the original compositions of the candidates, but on the repetition of what Homer was reputed to have composed, the question arises, on what grounds could the prize be adjudged? Partly, perhaps, for the voice and manner of the rhapsodist; but partly also, nay, we must assume principally, for his comparative fidelity to the supposed standard of his original. And, when we consider the length of the poems, we may the more easily understand how the retentiveness of memory required to give an adequate command of them, might well deserve and receive reward. True, the vanity of a particular rhapsodist might readily induce him to suppose that he could improve upon Homer. But surely such an one would be subject to no inconsiderable check from the vigilance, and the impartial, or more probably the jealous, judgment of his contemporaries and rivals. The aberrations, too, or interpolations, of each one inventor, would be immediately crossed by those of every other; and the intrinsic superiority of the great poet himself, and the extraordinary reverence paid to his name, would thus derive powerful aid from the natural play of human passions. I look upon the circumstance that these recitations were competitive, and probably open to all comers, as one of the utmost importance. Freedom, in such a case, would be far more conservative than restriction. The force of such considerations is abated indeed, but it is not destroyed, by the fact that poems not composed by Homer were esteemed to be Homeric. We have no means of knowing whether this false estimation reached in general beyond the character of mere vulgar rumour. We find, indeed, that Callinus ascribed the Thebais to Homer, Thucydides the Pythian Hymn, and Aristotle the Margites. But, of these three, the last judgment, for all we know, may have been a true one. The Thebais was judged by Pausanias to be the best of the epics, after the Iliad and Odyssey. It does not therefore follow, that because a poet might assign this to him, he would also have assigned others. Few authors show more slender marks of critical acumen than Herodotus; but even he treats the notions that the Cyprian epic or the Epigoni belonged to Homer in terms such as to show, that they were at most mere speculations, and not established public judgments.[70]