Domestic fiction; Short stories; Suburban life -- Fiction
by a uniformity in the cut of their trousers, or a clannishness of cane
or scarf, or a talk of boats and base-ball held among themselves. One
cannot see them without pleasure and kindness; and it is no wonder that
their young-lady acquaintances brighten so to recognize them on the
horse-cars. There is much good fortune in the world, but none
better than being an undergraduate twenty years old, hale, handsome,
fashionably dressed, with the whole promise of life before: it's a state
of things to disarm even envy. With so much youth forever in her heart,
it must be hard for our Charlesbridge to grow old: the generations arise
and pass away but in her veins is still this tide of warm blood, century
in and century out, so much the same from one age to another that it
would be hardy to say it was not still one youthfulness. There is a
print of the village as it was a cycle since, showing the oldest of
the college buildings and upon the street in front a scholar in his
scholar's-cap and gown, giving his arm to a very stylish girl of that
period, who is dressed wonderfully like the girl of ours, so that but
for the student's antique formality of costume, one might believe that
he was handing her out to take the horse-car. There is no horse-car in
the picture,--that is the only real difference between then and now in
our Charlesbridge, perennially young and gay. Have there not ever been
here the same grand ambitions, the same high hopes,--and is not the
unbroken succession of youth in these?
As for other life on the horse-car, it shows to little or no effect,
as I have said. You can, of course, detect certain classes; as, in the
morning the business-men going in, to their counters or their desks, and
in the afternoon the shoppers coming out, laden with paper parcels. But
I think no one can truly claim to know the regular from the occasional
passengers by any greater cheerfulness in the faces of the latter. The
horse-car will suffer no such inequality as this, but reduces us all to
the same level of melancholy. It would be but a very unworthy kind of
art which should seek to describe people by such merely external traits
as a habit of carrying baskets or large travelling-bags in the car; and
the present muse scorns it, but is not above speaking of the frequent
presence of those lovely young girls in which Boston and the suburban
towns abound, and who, whether they appear with rolls of music in their
hands, or books from the circulating-libraries, or pretty parcels or
hand-bags, would brighten even the horse-car if fresh young looks
and gay and brilliant costumes could do so much. But they only add
perplexity to the anomaly, which was already sufficiently trying with
its contrasts of splendor and shabbiness, and such intimate association
of velvets and patches as you see in the churches of Catholic countries,
but nowhere else in the world except in our “coaches of the sovereign
people.”
Public-domain text, read in full here on John Shaqi.
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