"'Tain't half as dangerous as that orchard back there, if you didn't
come into it honest!--an' if you did come honest, there ain't no reason
why I can't borry a fiver--bein' a fam'ly matter, as you might say!"
"I came honest, and I'm leaving honest, you drunken fool," Brent raved
at him. "And don't try any blackmail dodges on me or I'll beat your head
off!"
"Blackmail!" Tom stepped back, not so much in surprise at the word as at
Brent's threatening attitude. "Well, I'll leave it to the Cunnel, an'
Miss Jane, an' them folks over there, if this ain't a fair an' squar
proposition--all in the fam'ly, as you might say;--bein' as you come
honest! For if fine gentlemen like you don't come honest, they'll say
Gawd pity the gal!"
They'll say: God pity the girl! It smote his soul like a whip. Why
should they not say it anyhow of the half-read country girl whom he
slipped around by back roads to meet at night? Heretofore, he had been
more the adventurer than criminal, but now he felt the brand of both.
Some day, after his work was finished and he had gone, Zack would tell
of the messages and notes, and all the sacred oaths of all the creeds
would not convince Arden and Flat Rock one little mite of her innocence!
Over in the orchard a girl, walking slowly to the house, had stopped,
terrified; shrinking for him, not for herself, as with the unerring
instinct of her sex she realized how his pride would cringe before such
an exposure.
"Tom," he said at last, "you may have the fiver, but not because I'm
afraid of anything you can say. Nancy hasn't a thing in God's world to
be ashamed of, and neither have I. But it's plain that I can't come
again as long as you're drunk and seeing things. Here," handing him a
bill. "But it isn't a loan, or hush money, or anything of the
sort;--just hope money."
"How hope money?" Tom grinned, crumpling it eagerly in his hand.
"Because I hope you'll drink yourself to death with it. Good night."
It was late that night, and not until she had made a hurried walk across
the country to Arden, when Nancy stole into the house. Her ears told her
that Tom was lost in slumber, and she crept to her room, fastening the
door with the back of a chair wedged firmly beneath the knob. She was
breathing fast--this time from physical exertion. Her skirt showed one
or two rents where, in her haste, it had been forced through stiff
underbrush, and the knuckles of her hands were stained with fresh earth,
as though she might have crouched upon the ground somewhere to escape
detection. Only upon her face was there no sign of violence. In it
rested a light translatable as a great peace which comes to one who has
forgiven nobly, at the sacrifice of toil, an erring friend.
CHAPTER XIII
IN THE CIRCLE OF CEDARS
Public-domain text, read in full here on John Shaqi.
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