His daughter dead, his political hopes blasted, his country's gates
barred against him, he dragged out a miserable life in Europe. Then,
after years of absence, he slipped into the United States in disguise.
The first news of his return came in a New York newspaper announcement
that "Colonel Aaron Burr has opened law offices on the second floor of
23 Nassau Street." The government made no move to deport him. Clients
by the dozen flocked to take advantage of his brilliant legal
intellect. Poverty, in a breath, gave place to prosperity.
This was in the spring of 1833, a scant three years after Papa Jumel's
sudden demise. Tidings came to Betty that her old adorer, after so
long a lapse of time, was back in New York. And across the gap of
years came memories of his mesmeric eyes, his wonderful voice--the
eyes and voice no woman could resist--the inspired manner of his
love-making. And Betty went to him.
Throughout his love-starred life it was Burr's solemn declaration that
never once did he take a single step out of his path to win any woman;
that all his myriad conquests came to him unsought. Probably this was
true. There are worse ways of bagging any form of game than by "still
hunting." Perhaps there are few better.
At all events, down Broadway in her France-built coach rolled Betty
Jumel--tall, blond, statuesque as in the Betty Bowen days when Peter
Croix had "bought a book for his friends to read." She called on Burr,
ostensibly to consult him about a legal matter involving a real-estate
deal. But Burr understood. Burr always understood.
He saw, too, that Betty was still fair to look upon and that she had
lost little of her charm. By common report he knew she was egregiously
rich. He himself was wizened, white of hair, and seventy-eight years
old. Poverty, griefs, bitter disappointments had sadly broken him.
Save for his eyes and voice and brain, there was little about him to
remind Betty of the all-conquering and dapper little Lothario of forty
years back. Yet, as he listened and looked, she loved him. Yes, there
is a goodly assortment of hornets' nests wherein a fool may run his
head without visiting the same nest twice.
A few days after her call at his office, Betty gave one of her
renowned dinner parties. It was "in honor of Colonel Burr." The guest
of honor carried all before him that evening. The people who had come
to stare at him as an escaped arch-criminal went home wholly enslaved
by his magnetic charm. Aaron Burr had come to his own again.
In saying good night to his hostess, Burr lingered after the other
guests had trundled off cityward in their carriages. Then, taking his
leave with bared head, there in the moonlight on the steps of the
Jumel mansion, he dropped lightly to one knee and raised Betty's hand
to his lips.
"Madam," he breathed, the merciful moonlight making him for the moment
his young and irresistible self again, "madam, I give you my hand. My
heart has long been yours."
Public-domain text, read in full here on John Shaqi.
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