The Druids' walk is long and narrow, with a declivity, in some places rather steep, to the left hand, and rising ground to the right, all densely covered with trees. The yew begins to make its appearance soon after the little gate is passed, like the advance-guard of an army. In certain spots it seems to have successfully driven out all other trees. As the path descends the shadows deepen, and you arrive at a spot where a mass of yews of great size and vast age stretch up the hill, and beyond to the left as far as the eye can penetrate through the obscurity. The trees in their long and slow growth have assumed many wild forms, and the visitor who stands there towards evening, and peers into that sombre grove, will sometimes yield to the spell which the scene is sure to exercise on imaginative natures--he will half fancy that these ghostly trees are conscious creatures, and that they have marked with mingled pity and scorn the long processions of mankind come and go like the insects of a day, through the centuries during which they have been stretching out their distorted limbs nearer and nearer to each other. Thick fibrous shoots spring out from their trunks, awakening in the memory long-forgotten stories of huge hairy giants, enemies of mankind, even as the "double-fatal yew" itself was supposed to be in other days. The bark stands in distinct layers, the outer ridges mouldering away, like the fragments of a wall of some ruined castle. The tops are fresh and green, but all below in that sunless recess seems dead. At the foot of the deepest part of the grove there is a seat beneath a stern old king of the wood, but the _genius loci_ seems to warn the intruder to depart--ancient superstitions are rekindled, and the haggard trees themselves seem to threaten that from a sleep beneath the "baleful yew" the weary mortal will wake no more. Norbury, like other Surrey parks, had once a special renown also for walnut trees, among which an eighteenth-century owner saw reason to make havoc. At the end of that century the place belonged to Mr. W. Lock, friend and patron of famous artists, by whom the famous "picture room" had its walls and ceiling disguised with fictitious landscape scenes. This paradise is not accessible without permission; but there are rights of way through the park that open some of its sylvan treasures. One, as we have seen, leads above the Mole from Leatherhead. Another from the lodge and bridge at Mickleham runs up the slopes, in front of the house, and through a wood to the hollow below Fetcham Scrubbs, a down on which one can hold south by a path, becoming a road as it passes Polesden Lacy, then beyond winding as a leafy lane on to the thickets and swards of Ranmore Common.