Sylvia & Michael: The later adventures of Sylvia ScarlettMacKenzie, Compton
General
Sylvia & Michael: The later adventures of Sylvia Scarlett
MacKenzie, Compton
Fiction
"Good-by," Sylvia said. "I shall never forget this meeting." She stood
on tiptoe and, putting her arm round his neck, pulled him toward her and
kissed him.
"Good-by. May you be fortunate and happy," she repeated.
"It rests with God," said the soldier; and he vanished into the noise of
bugles and the confusion of a regimental muster.
The memory of this casual encounter rested in Sylvia's heart with all
the warmth it had originally kindled; nay, rather, it rested there with
a warmth that increased as time went on, and the golden bag came to be
regarded with that most essential and sacred affection which may be
bestowed upon a relic of childhood, an affection that is not sentimental
or comparable in any way to the emotions aroused by the souvenirs of an
old love. The bag possessed, indeed, the recreative quality of art; it
was emotion remembered in tranquillity, and as such fiercely cherished
by its owner. It was a true mascot, a monstrance of human love; for
Sylvia it had a sacramental, almost a divine significance.
From Kieff, much heartened by the omen of fortune's favor, Sylvia
traveled gladly toward Odessa through leagues of monotonous country
shrouded in mist and rain, which, seen thus by an unfamiliar visitant,
was of such surpassing gloom that the notion of war acquired in contrast
an adventurous cheerfulness. Often at railway stations that appeared to
exist along the track without any human reason for existence Sylvia used
to alight with the rest of the passengers and drink glasses of tea
sweetened by spoonfuls of raspberry jam; in a luxury of despair she
would imagine herself left behind by the train and be sometimes half
tempted to make the experiment in order to see how life would adapt
itself to such eccentricity. The only diversion upon this endless
journey was when the train stopped before crossing a bridge to let
soldiers with fixed bayonets mount it and stand in the corridors that
they might prevent any traveler from leaving his seat or even from
looking out of the window. These precautions against outrages with
dynamite affected her at first with a sense of great events happening
beyond these mournful steppes; but when she saw that the bayonets were
so long that in any scuffle they would have been unmanageable, she had a
revulsion from romantic fancies and told herself a little scornfully
what children men were and how much playing at war went on behind the
bloody scenes of action.
Public-domain text, read in full here on John Shaqi.
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