City and town life -- Fiction; Man-woman relationships -- Fiction
Mr. Palford did not know of this festivity, as he also found he was
not told of several other things. This he counted as a feature of his
client's exoticism. His extraordinary lack of concealment of things
vanity forbids many from confessing combined itself with a quite
cheerful power to keep his own counsel when he was, for reasons of his
own, so inclined.
“He can keep his mouth shut, that chap,” Hutchinson had said once, and
Mr. Palford remembered it. “Most of us can't. I've got a notion I can;
but I don't many's the time when I should. There's a lot more in him
than you'd think for. He's naught but a lad, but he is na half such a
fool as he looks.”
He was neither hesitant nor timid, Mr. Palford observed. In an entirely
unostentatious way he soon realized that his money gave things into
his hands. He knew he could do most things he chose to do, and that the
power to do them rested in these days with himself without the necessity
of detailed explanation or appeal to others, as in the case, for
instance, of this mysterious friend or protege whose name was
Strangeways. Of the history of his acquaintance with him Palford knew
nothing, and that he should choose to burden himself with a half-witted
invalid--in these terms the solicitor described him--was simply
in-explainable. If he had asked for advice or by his manner left
an opening for the offering of it, he would have been most strongly
counseled to take him to a public asylum and leave him there; but advice
on the subject seemed the last thing he desired or anticipated, and talk
about his friend was what he seemed least likely to indulge in. He made
no secret of his intentions, but he frankly took charge of them as his
own special business, and left the rest alone.
“Say nothing and saw wood,” Palford had once been a trifle puzzled
by hearing him remark casually, and he remembered it later, as he
remembered the comments of Joseph Hutchinson. Tembarom had explained
himself to Little Ann.
Public-domain text, read in full here on John Shaqi.
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