I flung down my hat, I believe, with rather too marked an expression of
impatience; but five minutes afterwards came a knock at the door. Mr.
Montenero was announced, and I blessed my mother, my father, and the
malt-tax, for having detained me at home. The first appearance of Mr.
Montenero more than answered my expectations. He had that indescribable
air, which, independently of the fashion of the day, or the mode of any
particular country, distinguishes a gentleman--dignified, courteous, and
free from affectation. From his features, he might have been thought
a Spaniard--from his complexion, an East Indian; but he had a peculiar
cast of countenance, which seemed not to belong to either nation. He had
uncommonly black penetrating eyes, with a serious, rather melancholy,
but very benevolent expression. He was past the meridian of life.
The lines in his face were strongly marked; but they were not the
common-place wrinkles of ignoble age, nor the contractions of any of the
vulgar passions: they seemed to be the traces of thought and feeling. He
entered into conversation directly and easily. I need not say that this
conversation was immediately interesting, for he spoke of Berenice. His
thanks to me were, I thought, peculiarly gentlemanlike, neither too
much nor too little. Of course, I left him at liberty to attribute her
indisposition to the heat of the playhouse, and I stood prepared to
avoid mentioning Shylock to Jewish ears; but I was both surprised and
pleased by the openness and courage with which he spoke on the very
subject from which I had fancied he would have shrunk. Instead of
looking for any excuse for Miss Montenero’s indisposition, he at once
named the real cause; she had been, he said, deeply affected by the
representation of Shylock; that detestable Jew, whom the genius of the
greatest poet that ever wrote, and the talents of one of the greatest
actors who had ever appeared, had conspired to render an object of
public execration. “But recently arrived in London,” continued Mr.
Montenero, “I have not had personal opportunity of judging of this
actor’s talent; but no Englishman can have felt more strongly than I
have, the power of your Shakspeare’s genius to touch and rend the human
heart.”
Public-domain text, read in full here on John Shaqi.
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