Tales and Sketches: Part 3 from Volume V of The Works of John Greenleaf WhittierWhittier, John Greenleaf
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Tales and Sketches: Part 3 from Volume V of The Works of John Greenleaf Whittier
Whittier, John Greenleaf
American literature
So, overcome by my great and bitter disappointment, I sat down on the
nearest hassock, and for a time refused to be comforted, even by my
uncle's assurance that there were more fish in the brook. He refitted
my bait, and, putting the pole again in my hands, told me to try my luck
once more.
"But remember, boy," he said, with his shrewd smile, "never brag of
catching a fish until he is on dry ground. I've seen older folks doing
that in more ways than one, and so making fools of themselves. It 's no
use to boast of anything until it 's done, nor then either, for it
speaks for itself."
How often since I have been reminded of the fish that I did not catch!
When I hear people boasting of a work as yet undone, and trying to
anticipate the credit which belongs only to actual achievement, I call
to mind that scene by the brookside, and the wise caution of my uncle in
that particular instance takes the form of a proverb of universal
application: "Never brag of your fish before you catch him."
YANKEE GYPSIES.
"Here's to budgets, packs, and wallets; Here's to all the wandering
train."
BURNS.
I CONFESS it, I am keenly sensitive to "skyey influences." I profess no
indifference to the movements of that capricious old gentleman known as
the clerk of the weather. I cannot conceal my interest in the behavior
of that patriarchal bird whose wooden similitude gyrates on the church
spire. Winter proper is well enough. Let the thermometer go to zero if
it will; so much the better, if thereby the very winds are frozen and
unable to flap their stiff wings. Sounds of bells in the keen air,
clear, musical, heart-inspiring; quick tripping of fair moccasined feet
on glittering ice pavements; bright eyes glancing above the uplifted
muff like a sultana's behind the folds of her /yashmac/; schoolboys
coasting down street like mad Greenlanders; the cold brilliance of
oblique sunbeams flashing back from wide surfaces of glittering snow or
blazing upon ice jewelry of tree and roof. There is nothing in all this
to complain of. A storm of summer has its redeeming sublimities,--its
slow, upheaving mountains of cloud glooming in the western horizon like
new-created volcanoes, veined with fire, shattered by exploding
thunders. Even the wild gales of the equinox have their varieties,
--sounds of wind-shaken woods and waters, creak and clatter of sign and
casement, hurricane puffs and down-rushing rain-spouts. But this dull,
dark autumn day of thaw and rain, when the very clouds seem too
spiritless and languid to storm outright or take themselves out of the
way of fair weather; wet beneath and above; reminding one of that
rayless atmosphere of Dante's Third Circle, where the infernal
Priessnitz administers his hydropathic torment,--
"A heavy, cursed, and relentless drench,--
The land it soaks is putrid;"
Public-domain text, read in full here on John Shaqi.
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