Whatever were the views of the family in collecting their friends and
acquaintances on this important evening, they were completely successful
in one point at least; for, before nine, half the dilettanti of the city
were assembled in Greenwich-street, in a most elaborate state of
musical excitement. Charlotte Henly, of course, was of the party,
although she was absolutely ignorant of a single note, nor knew how to
praise a scientific execution, or to manifest disgust at simple melody.
But, her importance in the world of fashion, and her friend Maria,
obtained her a place. There was a reason that secretly influenced
Charlotte in electing her evening's amusement, that was not known,
however, even to her friend.--George Morton played on the German flute
in a manner that vibrated on her nerves with an exquisite thrill that
she often strove to conquer, and yet ever loved to indulge. His musical
powers were far from being generally applauded, as they were thought to
be deficient in compass and variety; but Charlotte never descended to
criticism in music. She conceived it to be an enjoyment for the senses
only, or, rather, she thought nothing about it; and if the sounds failed
to delight her, she unhesitatingly attributed the circumstance to an
absence of melody. It was to listen to the flute of George Morton, then,
that the drawing-room of Mrs. Osgood was adorned with the speaking
countenance of Miss Henly.
Among the guests who made an early appearance in this "Temple of
Apollo," was the youth who had attended the ladies in their walk.
Seymour Delafield glanced his eye impatiently around the apartment, as
soon as he had paid the customary compliments to the mistress of the
mansion and her bevy of fair daughters; but a look of disappointment
betrayed the search to be an unsuccessful one. Both the look and the
result were noticed by Maria; and, turning a glance of rather saucy
meaning on the gentleman, she said--
"I apprehend your flute, which, by the by, I am glad to see you have
brought, will be rather in the _penseroso_ style this evening, Mr.
Delafield."
"Unless enlivened by the contagious gayety of your smile," returned
Delafield, endeavouring to look excessively unconcerned; "but"--
"Oh! my very laugh is musical, I know," interrupted Maria; "but then it
is often shockingly out of time."
"It seldom fails to produce an accompaniment," said the gentleman, now
smiling in reality; "but"--
"Where is Charlotte Henley?" said the young lady, again interrupting
him; "she has a perfect horror of the tuning of fiddles and the
preparatory thrummings on the piano; so endeavour to preserve the
harmony of your temper for the second act."
"Well! it is some relief to know she is coming at all," cried Seymour,
quickly; and then, recovering himself, with perfect breeding, he
added--"for one would wish to see you as happy as all your friends can
make you, on such an occasion."
Public-domain text, read in full here on John Shaqi.
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