The foremost rider was a cavalier scarce twenty years, apparently, of
age; clad simply, but elegantly, in the travelling dress of a Tuscan
gentleman of that day. His vest, which was of the richest velvet,
slashed and embroidered in the fashion of the time, was covered, on back
and breast, by the strong "Jazeran," or scaled corslet, which was the
armour then generally worn in Italy, and which, while it was less
cumbrous than complete steel, was yet fully proof against the thrust
either of lance or poniard. A belt of gold, four fingers broad, drawn
tightly round the waist, and clasped by a jewel of price in front,
marked the division between the bottom of the "Camiciuola," or upper
garment, and the long breeches and stockings of woven silk,--the
"Calzoni alla pantalona"--which, with yellow Morocco boots and massy
spurs of gold, terminated the lower portion of the figure. And the broad
"mantello" or cloak, of ample extent--on foot or horseback, still the
constant equipment of every Italian gentleman--gathered plaidlike round
the body, clinging upon the bridle shoulder, and passing under the right
arm, so as to clothe the bust and loins, yet leave the sword-hand
free--swelled with the damp and unwholesome "libeccio" which blew in the
rider's face, and seemed to bring a death in every gust, as he lifted
his strong horse, all dust and foaming--plunging with short springs, and
gathered almost upon its haunches--down the last sharp pitch of hill
which marked the boundary of the Apennines, and carried the traveller
forward into the fair valley of the Arno.
Public-domain text, read in full here on John Shaqi.
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