Shakespeare, William, 1564-1616 -- Adaptations; Shakespeare, William, 1564-1616 -- Stories, plots, etc. -- Juvenile literature
When Bassanio looked at this ring be was strangely surprised to
find it was the same he gave away; and then Portia told him how
she was the young counselor, and Nerissa was her clerk; and
Bassanio found, to his unspeakable wonder and delight, that it
was by the noble courage and wisdom of his wife that Antonio’s
life was saved.
And Portia again welcomed Antonio, and gave him letters which by
some chance had fallen into her hands, which contained an account
of Antonio’s ships, that were supposed lost, being safely arrived
in the harbor. So these tragical beginnings of this rich
merchant’s story were all forgotten in the unexpected good
fortune which ensued; and there was leisure to laugh at the
comical adventure of the rings and the husbands that did not know
their own wives, Gratiano merrily swearing, in a sort of rhyming
speech, that--
While he lived, he’d fear no other thing
So sore, as keeping safe Nerissa’s ring.
CYMBELINE
During the time of Augustus Caesar, Emperor of Rome, there
reigned in England (which was then called Britain) a king whose
name was Cymbeline.
Cymbeline’s first wife died when his three children (two sons and
a daughter) were very young. Imogen, the eldest of these
children, was brought up in her father’s court; but by a strange
chance the two sons of Cymbeline were stolen out of their nursery
when the eldest was but three years of age and the youngest quite
an infant; and Cymbeline could never discover what was become of
them or by whom they were conveyed away.
Cymbeline was twice married. His second wife was a wicked,
plotting woman, and a cruel stepmother to Imogen, Cymbeline’s
daughter by his first wife.
The queen, though she hated Imogen, yet wished her to marry a son
of her own by a former husband (she also having been twice
married), for by this means she hoped upon the death of Cymbeline
to place the crown of Britain upon the head of her son Cloten;
for she knew that, if the king’s sons were not found, the
Princess Imogen must be the king’s heir. But this design was
prevented by Imogen herself, who married without the consent or
even knowledge of her father or the queen.
Posthumus (for that was the name of Imogen’s husband) was the
best scholar and most accomplished gentleman of that age. His
father died fighting in the wars for Cymbeline, and soon after
his birth his mother died also for grief at the loss of her
husband.
Cymbeline, pitying the helpless state of this orphan, took
Posthumus (Cymbeline having given him that name because he was
born after his father’s death), and educated him in his own
court.
Imogen and Posthumus were both taught by the same masters, and
were playfellows from their infancy; they loved each other
tenderly when they were children, and, their affection continuing
to increase with their years, when they grew up they privately
married.
Public-domain text, read in full here on John Shaqi.
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