Tales from the German. Volume II.Velde, C. F. van der (Carl Franz)
General
Tales from the German. Volume II.
Velde, C. F. van der (Carl Franz)
German fiction -- Translations into English
A year had passed from the stream of time into the ocean of eternity
since the marriage of the two sisters, when Hiorba arose out of the
rocks in the oak forest between the two palaces. The proud edifices yet
shone in all their original splendor, and their majestic walls cast
long shadows over the vale below; but the rock upon which the sorceress
was standing had changed its appearance. Instead of being bare, as
formerly, it was now shaded by tall cedars, lofty pines, and trembling
poplars, and encircled with blooming rose-hedges, A gilded dome,
supported by nine Corinthian pillars of alabaster, adorned the summit.
The sorceress inquisitively examined the temple, and with surprise and
pleasure encountered her own statue crowned with fresh cypress and
faded roses. Tears of joyful emotion filled Hiorba's eyes, and her
first impulse was to fly immediately to her foster-daughters, that she
might, invisible to them, impress a kiss of gratitude upon their
unconscious foreheads; but while hesitating which of the happy brides
she should first visit, she discerned two female forms approaching from
opposite directions. Discovering that they were her two daughters, she
wrapped herself in impenetrable clouds, that she might be a secret
witness of their interview. Their appearance gave her no pleasure.
Their pale cheeks were not lighted by the sun of matrimonial
peace,--their lingering steps and downcast eyes spoke not of
happiness,--and with fear and sorrow Hiorba leaned against the altar
which supported her statue. At length the sisters reached the place and
rushed sobbing into each other's arms.
'My sufferings have reached their utmost limit!' exclaimed Aliande.
'My last hope is annihilated!' sighed Daura.
'How ineffably miserable,' said Aliande, 'has our good mother's last
gift made me! With almost every change of the moon does the warning
voice of my magic clock rend my poor betrayed heart. My fatal mirror is
constantly reflecting new faces which seldom indicate delicate feminine
charms, never mental elevation. All my tears have hitherto been able to
obtain but empty promises of amendment from the faithless one; and my
just reproaches only exasperate him. To-day I see the hated features of
my last waiting maid, the light and impudent Rosa! No, I will bear
these mortifications, these repeated insults, no longer!'
Public-domain text, read in full here on John Shaqi.
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