I had been sent to this place at so tender an age as soon to lose all Distinct recollection of the scenes I had left behind. As my mind expanded, therefore, it formed its idea of the world from the convent and its vicinity, and a dreary world it appeared to me. An early tinge of melancholy was thus infused into my character; and the dismal stories of the monks, about devils and evil spirits, with which they affrighted my young imagination, gave me a tendency to superstition, which I could never effectually shake off. They took the same delight to work upon my ardent feelings that had been so mischievously exercised by my father’s household. I can recollect the horrors with which they fed my heated fancy during an eruption of Vesuvius. We were distant from that volcano, with mountains between us; but its convulsive throes shook the solid foundations of nature. Earthquakes threatened to topple down our convent towers. A lurid, baleful light hung in the heavens at night, and showers of ashes, borne by the wind, fell in our narrow valley. The monks talked of the earth being honey-combed beneath us; of Streams of molten lava raging through its veins; of caverns of sulphurous flames roaring in the centre, the abodes of demons and the damned; of fiery gulfs ready to yawn beneath our feet. All these tales were told to the doleful accompaniment of the mountain’s thunders, whose low bellowing made the walls of our convent vibrate. One of the monks had been a painter, but had retired from the world, and embraced this dismal life in expiation of some crime. He was a melancholy man, who pursued his art in the solitude of his cell, but made it a source of penance to him. His employment was to portray, either on canvas or in waxen models, the human face and human form, in the agonies of death and in all the stages of dissolution and decay. The fearful mysteries of the charnel house were unfolded in his labors—the loathsome banquet of the beetle and the worm.—I turn with shuddering even from the recollection of his works. Yet, at that time, my strong, but ill-directed imagination seized with ardor upon his instructions in his art. Any thing was a variety from the dry studies and monotonous duties of the cloister. In a little while I became expert with my pencil, and my gloomy productions were thought worthy of decorating some of the altars of the chapel.