The collection was around him again, not displayed in tall cabinets and on marble tables, but huddled on shelves, perched on chairs, crammed in corners, putting the gleam of bronze, the opalescence of old glass, the pale lustre of marble, into all the angles of his low dim rooms. There they were, the proud presences that had stared at him down the vistas of Daunt House, and shone in cold transplanted beauty under his own painted cornices: there they were, gathered in humble promiscuity about his bent shabby figure, like superb wild creatures tamed to become the familiars of some harmless old wizard. As we went from bit to bit, as he lifted one piece after another, and held it to the light of his low windows, I saw in his hands the same tremor of sensation that I had noticed when he first examined the same objects at Daunt House. All his life was in his finger-tips, and it seemed to communicate life to the exquisite things he touched. But you’ll think me infected by his mysticism if I tell you they gained new beauty while he held them... We went the rounds slowly and reverently; and then, when I supposed our inspection was over, and was turning to take my leave, he opened a door I had not noticed, and showed me into a slit of a room beyond. It was a mere monastic cell, scarcely large enough for his narrow iron bed and the chest which probably held his few clothes; but there, in a niche of the bare wall, facing the foot of the bed--there stood the Daunt Diana. I gasped at the sight and turned to him; and he looked back at me without speaking. “In the name of magic, Neave, how did you do it?” He smiled as if from the depths of some secret rapture. “Call it magic, if you like; but I ruined myself doing it,” he said. I stared at him in silence, breathless with the madness and the wonder of it; and suddenly, red to the ears, he flung out his boyish confession. “I lied to you that day in London--the day I said I didn’t care for her. I always cared--always worshipped--always wanted her. But she wasn’t mine then, and I knew it, and she knew it ... and now at last we understand each other.” He looked at me shyly, and then glanced about the bare cold cell. “The setting isn’t worthy of her, I know; she was meant for glories I can’t give her; but beautiful things, my dear Finney, like beautiful spirits, live in houses not made with hands...” His face shone with extraordinary sweetness as he spoke; and I saw he’d got hold of the secret we’re all after. No, the setting isn’t worthy of her, if you like. The rooms are as shabby and mean as those we used to see him in years ago over the wine shop. I’m not sure they’re not shabbier and meaner. But she rules there at last, she shines and hovers there above him, and there at night, I doubt not, steals down from her cloud to give him the Latmian kiss. THE DEBT I