“That man ain't here,” continued Abner Dean, with listless indifference of voice, and a gentle pre-occupation of manner, as he carelessly allowed his right hand to rest on his hip near his revolver. “That man ain't here; but, if I'm called upon to make good what he says, why, I'm on hand.” All rose as the two men--perhaps the least externally agitated of them all--approached each other. The lawyer stepped in between them. “Perhaps there's some mistake here. York, do you KNOW that the old man has been home?” “Yes.” “How do you know it?” York turned his clear, honest, frank eyes on his questioner, and without a tremor told the only direct and unmitigated lie of his life. “Because I've seen him there.” The answer was conclusive. It was known that York had been visiting the East during the old man's absence. The colloquy had diverted attention from Plunkett, who, pale and breathless, was staring at his unexpected deliverer. As he turned again toward his tormentors, there was something in the expression of his eye that caused those that were nearest to him to fall back, and sent a strange, indefinable thrill through the boldest and most reckless. As he made a step forward, the physician, almost unconsciously, raised his hand with a warning gesture; and old man Plunkett, with his eyes fixed upon the red-hot stove, and an odd smile playing about his mouth, began,-- “Yes--of course you did. Who says you didn't? It ain't no lie. I said I was goin' home--and I've been home. Haven't I? My God! I have. Who says I've been lyin'? Who says I'm dreamin'? Is it true--why don't you speak? It is true, after all. You say you saw me there: why don't you speak again? Say, say!--is it true? It's going now. O my God! it's going again. It's going now. Save me!” And with a fierce cry he fell forward in a fit upon the floor. When the old man regained his senses, he found himself in York's cabin. A flickering fire of pine-boughs lit up the rude rafters, and fell upon a photograph tastefully framed with fir-cones, and hung above the brush whereon he lay. It was the portrait of a young girl. It was the first object to meet the old man's gaze; and it brought with it a flush of such painful consciousness, that he started, and glanced quickly around. But his eyes only encountered those of York,--clear, gray, critical, and patient,--and they fell again. “Tell me, old man,” said York not unkindly, but with the same cold, clear tone in his voice that his eye betrayed a moment ago,--“tell me, is THAT a lie too?” and he pointed to the picture.