American fiction -- 19th century; Short stories; Western stories
The letter was handed round in silence. The old man, with a look
alternating between hope and fear, gazed in the faces of the group.
The doctor looked up significantly, after a pause. “It's a forgery
evidently,” he said in a low voice. “He's cunning enough to conceive it
(they always are); but you'll find he'll fail in executing it. Watch his
face!--Old man,” he said suddenly, in a loud peremptory tone, “this is
a trick, a forgery, and you know it. Answer me squarely, and look me in
the eye. Isn't it so?”
The eyes of Plunkett stared a moment, and then dropped weakly. Then,
with a feebler smile, he said, “You're too many for me, boys. The Doc's
right. The little game's up. You can take the old man's hat;” and so,
tottering, trembling, and chuckling, he dropped into silence and his
accustomed seat. But the next day he seemed to have forgotten this
episode, and talked as glibly as ever of the approaching festivity.
And so the days and weeks passed until Christmas--a bright, clear day,
warmed with south winds, and joyous with the resurrection of springing
grasses--broke upon Monte Flat. And then there was a sudden commotion in
the hotel bar-room; and Abner Dean stood beside the old man's chair,
and shook him out of a slumber to his feet. “Rouse up, old man. York is
here, with your wife and daughter, at the cottage on Heavytree. Come,
old man. Here, boys, give him a lift;” and in another moment a dozen
strong and willing hands had raised the old man, and bore him in triumph
to the street up the steep grade of Heavytree Hill, and deposited him,
struggling and confused, in the porch of a little cottage. At the same
instant two women rushed forward, but were restrained by a gesture from
Henry York. The old man was struggling to his feet. With an effort at
last, he stood erect, trembling, his eye fixed, a gray pallor on his
cheek, and a deep resonance in his voice.
“It's all a trick, and a lie! They ain't no flesh and blood or kin o'
mine. It ain't my wife, nor child. My daughter's a beautiful girl--a
beautiful girl, d'ye hear? She's in New York with her mother, and I'm
going to fetch her here. I said I'd go home, and I've been home: d'ye
hear me? I've been home! It's a mean trick you're playin' on the old
man. Let me go: d'ye hear? Keep them women off me! Let me go! I'm
going--I'm going--home!”
His hands were thrown up convulsively in the air, and, half turning
round, he fell sideways on the porch, and so to the ground. They picked
him up hurriedly, but too late. He had gone home.
THE FOOL OF FIVE FORKS
Public-domain text, read in full here on John Shaqi.
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