She was twenty-two, and she had about her that strange and charming nunlike mystery which often comes to a woman who lives alone and unguessed-at among male relatives. Her room was her bower. No one, save the servants and herself, ever entered it. Mr. Deane and Jim and Bertie might glance carelessly through the open door in passing along the corridor, but had they chanced in idle curiosity to enter, the room would have struck them as unfamiliar, and they might perhaps have exclaimed with momentary interest, 'So this is May's room!' And some hint that May was more than a daughter and sister--a woman, withdrawn, secret, disturbing, living her own inner life side by side with the household life--might have penetrated their obtuse paternal and fraternal masculinity. Her beautiful face (the nose and mouth were perfect, and at either extremity of the upper lip grew a soft down), her dark hair, her quiet voice and her gentle acquiescence (diversified by occasional outbursts of sarcasm), appealed to them and won them; but they accepted her as something of course, as something which went without saying. They adored her, and did not know that they adored her. May took off her hat, stuck the pins into it again, and threw it on the bed, whose white and green counterpane hung down nearly to the floor on either side. Then she lay back in the chair, and, pulling away the blind, glanced through the window; the moon, rather dim behind the furnace lights of Red Cow Ironworks, was rising over Moorthorne. May dropped the blind with a wearied gesture, and turned within the room, examining its contents as if she had not seen them before: the wardrobe, the chest of drawers, which was also a dressing-table, the washstand, the dwarf book-case with its store of Edna Lyalls, Elizabeth Gaskells, Thackerays, Charlotte Yonges, Charlotte Brontës, a Thomas Hardy or so, and some old school-books. She looked at the pictures, including a sampler worked by a deceased aunt, at the loud-ticking Swiss clock on the mantelpiece, at the higgledy-piggledy photographs there, at the new Axminster carpet, the piece of linoleum in front of the washstand, and the bad joining of the wallpaper to the left of the door. She missed none of the details which she knew so well, with such long monotonous intimacy, and sighed.