Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
General
Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
He took out his wallet and deliberately counted out seventy-five
dollars in bills.
“Here,” he said, holding them out, “here’s seventy-five; that makes
eighty all together. That’s all the actual cash I have with me,
besides what I’ll actually spend on the trip.”
Gordon raised his clenched hand automatically, opened it as though it
were a tongs he was holding, and clenched it again on the money.
“I’ll see you at the dance,” continued Dean. “I’ve got to get along to
the barber shop.”
“So-long,” said Gordon in a strained and husky voice.
“So-long.”
Dean, began to smile, but seemed to change his mind. He nodded briskly
and disappeared.
But Gordon stood there, his handsome face awry with distress, the roll
of bills clenched tightly in his hand. Then, blinded by sudden tears,
he stumbled clumsily down the Biltmore steps.
III
About nine o’clock of the same night two human beings came out of a
cheap restaurant in Sixth Avenue. They were ugly, ill-nourished,
devoid of all except the very lowest form of intelligence, and without
even that animal exuberance that in itself brings color into life;
they were lately vermin-ridden, cold, and hungry in a dirty town of a
strange land; they were poor, friendless; tossed as driftwood from
their births, they would be tossed as driftwood to their deaths. They
were dressed in the uniform of the United States Army, and on the
shoulder of each was the insignia of a drafted division from New
Jersey, landed three days before.
The taller of the two was named Carrol Key, a name hinting that in his
veins, however thinly diluted by generations of degeneration, ran
blood of some potentiality. But one could stare endlessly at the long,
chinless face, the dull, watery eyes, and high cheek-bones, without
finding suggestion of either ancestral worth or native resourcefulness.
His companion was swart and bandy-legged, with rat-eyes and a
much-broken hooked nose. His defiant air was obviously a pretense, a
weapon of protection borrowed from that world of snarl and snap, of
physical bluff and physical menace, in which he had always lived. His
name was Gus Rose.
Leaving the café they sauntered down Sixth Avenue, wielding toothpicks
with great gusto and complete detachment.
“Where to?” asked Rose, in a tone which implied that he would not be
surprised if Key suggested the South Sea Islands.
“What you say we see if we can getta holda some liquor?” Prohibition
was not yet. The ginger in the suggestion was caused by the law
forbidding the selling of liquor to soldiers.
Rose agreed enthusiastically.
“I got an idea,” continued Key, after a moment’s thought, “I got a
brother somewhere.”
“In New York?”
“Yeah. He’s an old fella.” He meant that he was an elder brother.
“He’s a waiter in a hash joint.”
“Maybe he can get us some.”
“I’ll say he can!”
“B’lieve me, I’m goin’ to get this darn uniform off me to-morra. Never
get me in it again, neither. I’m goin’ to get me some regular
clothes.”
“Say, maybe I’m not.”
Public-domain text, read in full here on John Shaqi.
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