Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
General
Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
As their combined finances were something less than five dollars, this
intention can be taken largely as a pleasant game of words, harmless
and consoling. It seemed to please both of them, however, for they
reinforced it with chuckling and mention of personages high in
biblical circles, adding such further emphasis as “Oh, boy!” “You
know!” and “I’ll say so!” repeated many times over.
The entire mental pabulum of these two men consisted of an offended
nasal comment extended through the years upon the institution--army,
business, or poorhouse--which kept them alive, and toward their
immediate superior in that institution. Until that very morning the
institution had been the “government” and the immediate superior had
been the “Cap’n”--from these two they had glided out and were now in
the vaguely uncomfortable state before they should adopt their next
bondage. They were uncertain, resentful, and somewhat ill at ease.
This they hid by pretending an elaborate relief at being out of the
army, and by assuring each other that military discipline should never
again rule their stubborn, liberty-loving wills. Yet, as a matter of
fact, they would have felt more at home in a prison than in this
new-found and unquestionable freedom.
Suddenly Key increased his gait. Rose, looking up and following his
glance, discovered a crowd that was collecting fifty yards down the
street. Key chuckled and began to run in the direction of the crowd;
Rose thereupon also chuckled and his short bandy legs twinkled beside
the long, awkward strides of his companion.
Reaching the outskirts of the crowd they immediately became an
indistinguishable part of it. It was composed of ragged civilians
somewhat the worse for liquor, and of soldiers representing many
divisions and many stages of sobriety, all clustered around a
gesticulating little Jew with long black whiskers, who was waving his
arms and delivering an excited but succinct harangue. Key and Rose,
having wedged themselves into the approximate parquet, scrutinized him
with acute suspicion, as his words penetrated their common
consciousness.
“--What have you got outa the war?” he was crying fiercely. “Look
arounja, look arounja! Are you rich? Have you got a lot of money
offered you?--no; you’re lucky if you’re alive and got both your legs;
you’re lucky if you came back an’ find your wife ain’t gone off with
some other fella that had the money to buy himself out of the war!
That’s when you’re lucky! Who got anything out of it except J. P.
Morgan an’ John D. Rockerfeller?”
At this point the little Jew’s oration was interrupted by the hostile
impact of a fist upon the point of his bearded chin and he toppled
backward to a sprawl on the pavement.
“God damn Bolsheviki!” cried the big soldier-blacksmith who had
delivered the blow. There was a rumble of approval, the crowd closed
in nearer.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account