Tales of the Jazz AgeFitzgerald, F. Scott (Francis Scott)
General
Tales of the Jazz Age
Fitzgerald, F. Scott (Francis Scott)
Short stories; United States -- Social life and customs -- 20th century -- Fiction
His second _faux pas_ was unconscious. She had spent the
afternoon at the hairdresser’s; the idea of any calamity overtaking
her hair was extremely repugnant--yet as Peter made his unfortunate
attempt the point of his elbow had just faintly brushed it. That was
his second _faux pas_. Two were quite enough.
He had begun to murmur. At the first murmur she had decided that he
was nothing but a college boy--Edith was twenty-two, and anyhow, this
dance, first of its kind since the war, was reminding her, with the
accelerating rhythm of its associations, of something else--of another
dance and another man, a man for whom her feelings had been little
more than a sad-eyed, adolescent mooniness. Edith Bradin was falling
in love with her recollection of Gordon Sterrett.
So she came out of the dressing-room at Delmonico’s and stood for a
second in the doorway looking over the shoulders of a black dress in
front of her at the groups of Yale men who flitted like dignified
black moths around the head of the stairs. From the room she had left
drifted out the heavy fragrance left by the passage to and fro of many
scented young beauties--rich perfumes and the fragile memory-laden
dust of fragrant powders. This odor drifting out acquired the tang of
cigarette smoke in the hall, and then settled sensuously down the
stairs and permeated the ballroom where the Gamma Psi dance was to be
held. It was an odor she knew well, exciting, stimulating, restlessly
sweet--the odor of a fashionable dance.
She thought of her own appearance. Her bare arms and shoulders were
powdered to a creamy white. She knew they looked very soft and would
gleam like milk against the black backs that were to silhouette them
to-night. The hairdressing had been a success; her reddish mass of
hair was piled and crushed and creased to an arrogant marvel of mobile
curves. Her lips were finely made of deep carmine; the irises of her
eyes were delicate, breakable blue, like china eyes. She was a
complete, infinitely delicate, quite perfect thing of beauty, flowing
in an even line from a complex coiffure to two small slim feet.
She thought of what she would say to-night at this revel, faintly
prestiged already by the sounds of high and low laughter and slippered
footsteps, and movements of couples up and down the stairs. She would
talk the language she had talked for many years--her line--made up of
the current expressions, bits of journalese and college slang strung
together into an intrinsic whole, careless, faintly provocative,
delicately sentimental. She stalled faintly as she heard a girl
sitting on the stairs near her say: “You don’t know the half of it,
dearie!”
And as she smiled her anger melted for a moment, and closing her eyes
she drew in a deep breath of pleasure. She dropped her arms to her
side until they were faintly touching the sleek sheath that covered
and suggested her figure. She had never felt her own softness so much
nor so enjoyed the whiteness of her own arms.
Public-domain text, read in full here on John Shaqi.
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