Tales of the Long BowChesterton, G. K. (Gilbert Keith)
General
Tales of the Long Bow
Chesterton, G. K. (Gilbert Keith)
English fiction -- 20th century; Short stories, English
“Impossible!” he cried. “You don’t know what you’re saying or how true
it is. All I’ve done so far was possible and prosaic. But I will do an
impossible thing. I will do something that is written in all books and
rhymes as impossible--something that has passed into a proverb of the
impossible. The war is not ended yet; and if you two fellows will post
yourselves in the quarry opposite the Blue Boar, on Thursday week at
sunset, you will see something so impossible and so self-evident that
even the organs of public information will find it hard to hide it.”
It was in that part of the steep fall of pine-wood where the quarry
made a sort of ledge under a roof of pine that two gentlemen of
something more than middle age who had not altogether lost the appetite
of adventure posted themselves with all the preparations due to a
picnic or a practical joke. It was from that place, as from a window
looking across the valley, that they saw what seemed more like a
vision; what seemed indeed rather like the parody of an apocalypse. The
large clearance of the western sky was of a luminous lemon tint, as of
pale yellow fading to pale green, while one or two loose clouds on the
horizon were of a rose-red and yet richer colours. But the setting sun
itself was a cloudless fire, so that a tawny light lay over the whole
landscape; and the inn of the Blue Boar standing opposite looked almost
like a house of gold. Owen Hood was gazing in his dreamy fashion, and
said at last:
“There’s an apocalyptic sign in heaven for you to start with. It’s a
queer thing, but that cloud coming up the valley is uncommonly like the
shape of a pig.”
“Very like a whale,” said Colonel Crane, yawning slightly; but when
he turned his eyes in that direction, the eyes were keener. Artists
have remarked that a cloud has perspective like anything else; but the
perspective of the cloud coming up the valley was curiously solid.
“That’s not a cloud,” he said sharply, “it’s a Zeppelin or something.”
The solid shape grew larger and larger; and as it grew more obvious it
grew more incredible.
“Saints and angels!” cried Hood suddenly. “Why, it _is_ a pig!”
“It’s shaped like a pig all right,” said the Colonel curtly; and
indeed as the great balloon-like form bulked bigger and bigger above
its own reflection in the winding river, they could see that the long
sausage-shaped Zeppelin body of it had been fantastically decorated
with hanging ears and legs, to complete that pantomimic resemblance.
“I suppose it’s some more of Hilary’s skylarking,” observed Hood; “but
what is he up to now?”
As the great aërial monster moved up the valley it paused over the inn
of the Blue Boar, and something fell fluttering from it like a brightly
coloured feather.
“People are coming down in parachutes,” said the Colonel shortly.
“They’re queer-looking people,” remarked his companion, peering under
frowning brows, for the level light was dazzling to the eyes. “By
George, they’re not people at all! They’re pigs!”
Public-domain text, read in full here on John Shaqi.
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