Tales of the Long BowChesterton, G. K. (Gilbert Keith)
General
Tales of the Long Bow
Chesterton, G. K. (Gilbert Keith)
English fiction -- 20th century; Short stories, English
“By the way, I forgot to tell you,” he said, “I had a letter from White
yesterday.”
The bronzed visage of the Colonel was also seamed with the external
signs of a soundless chuckle.
“Read it yet?” he asked.
“Yes,” replied the lawyer; “the hieroglyphic was attacked with fresh
vigour after breakfast this morning, and the clouds and mysteries of
yesterday’s laborious hours seemed to be rolled away. Some portions of
the cuneiform still await an expert translation; but the sentences
themselves appear to be in the original English.”
“Very original English,” snorted Colonel Crane.
“Yes, our friend is an original character,” replied Hood. “Vanity
tempts me to hint that he is our friend because he has an original
taste in friends. That habit of his of putting the pronoun on the first
page and the noun on the next has brightened many winter evenings for
me. You haven’t met our friend White, have you?” he added to Pierce.
“That is a shock that still threatens you.”
“Why, what’s the matter with him?” inquired Pierce.
“Nothing,” observed Crane in his more staccato style. “Has a taste for
starting a letter with ‘Yours Truly’ and ending it with ‘Dear Sir’;
that’s all.”
“I should rather like to hear that letter,” observed the young man.
“So you shall,” answered Hood, “there’s nothing confidential in it;
and if there were, you wouldn’t find it out merely by reading it. The
Rev. Wilding White, called by some of his critics ‘Wild White,’ is
one of those country parsons, to be found in corners of the English
countryside, of whom their old college friends usually think in order
to wonder what the devil their parishoners think of them. As a matter
of fact, my dear Hilary, he was rather like you when he was your age;
and what in the world you would be like as a vicar in the Church of
England, aged fifty, might at first stagger the imagination; but the
problem might be solved by supposing you would be like him. But I only
hope you will have a more lucid style in letter-writing. The old boy is
always in such a state of excitement about something that it comes out
anyhow.”
It has been said elsewhere that these tales are, in some sense, of
necessity told tail-foremost, and certainly the letter of the Rev.
Wilding White was a document suited to such a scheme of narrative. It
was written in what had once been a good handwriting of the bolder
sort, but which had degenerated through excessive energy and haste into
an illegible scrawl. It appeared to run as follows:
Public-domain text, read in full here on John Shaqi.
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