American fiction -- 19th century; Short stories; Western stories
Yet enough of her country was left in her to make her courageous and
independent of her past. They say that when she got the news she cried
a little, and then laid the letter and what was left of her last
monthly allowance in Madame Ablas' lap. Madame was devastated. “But you,
impoverished and desolated angel, what of you?” “I shall get some of
it back,” said the desolated angel with ingenuous candor, “for I speak
better French and English than the other girls, and I shall teach THEM
until I can get into the Conservatoire, for I have a voice. You yourself
have told papa so.” From such angelic directness there was no appeal.
Madame Ablas had a heart,--more, she had a French manageress's
discriminating instinct. The American schoolgirl was installed in a
teacher's desk; her bosom friends and fellow students became her pupils.
To some of the richest, and they were mainly of her own country, she
sold her smartest, latest dresses, jewels, and trinkets at a very good
figure, and put the money away against the Conservatoire in the future.
She worked hard, she endured patiently everything but commiseration.
“I'd have you know, Miss,” she said to Miss de Laine, daughter of the
famous house of Musslin, de Laine & Co., of New York, “that whatever my
position HERE may be, it is not one to be patronized by a tapeseller's
daughter. My case is not such a very 'sad one,' thank you, and I prefer
not to be spoken of as having seen 'better days' by people who haven't.
There! Don't rap your desk with your pencil when you speak to me, or
I shall call out 'Cash!' before the whole class.” So regrettable an
exhibition of temper naturally alienated certain of her compatriots who
were unduly sensitive of their origin, and as they formed a considerable
colony who were then reveling in the dregs of the Empire and the last
orgies of a tottering court, eventually cost her her place. A republican
so aristocratic was not to be tolerated by the true-born Americans who
paid court to De Morny for the phosphorescent splendors of St. Cloud
and the Tuileries, and Miss Helen lost their favor. But she had already
saved enough money for the Conservatoire and a little attic in a very
tall house in a narrow street that trickled into the ceaseless flow
of the Rue Lafayette. Here for four years she trotted backwards
and forwards regularly to work with the freshness of youth and the
inflexible set purpose of maturity. Here, rain or shine, summer or
winter, in the mellow season when the large cafes expanded under the
white sunshine into an overflow of little tables on the pavement, or
when the red glow of the Brasserie shone through frosty panes on the
turned-up collars of pinched Parisians who hurried by, she was always to
be seen.
Public-domain text, read in full here on John Shaqi.
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