American fiction -- 19th century; Short stories; Western stories
She did not see him again for several days. The preparation for her
examination left her no time, and her earnest concentration in her work
fully preoccupied her thoughts. She was surprised, but not disturbed, on
the day of the awards to see him among the audience of anxious parents
and relations. Miss Helen Maynard did not get the first prize, nor
yet the second; an accessit was her only award. She did not know until
afterwards that this had long been a foregone conclusion of her teachers
on account of some intrinsic defect in her voice. She did not know until
long afterwards that the handsome painter's nervousness on that occasion
had attracted even the sympathy of some of those who were near him. For
she herself had been calm and collected. No one else knew how crushing
was the blow which shattered her hopes and made her three years of labor
and privation a useless struggle. Yet though no longer a pupil she could
still teach; her master had found her a small patronage that saved her
from destitution. That night she circled up quite cheerfully in her
usual swallow flight to her nest under the eaves, and even twittered on
the landing a little over the condolences of the concierge--who knew,
mon Dieu! what a beast the director of the Conservatoire was and how he
could be bribed; but when at last her brown head sank on her pillow she
cried--just a little.
But what was all this to that next morning--the glorious spring morning
which bathed all the roofs of Paris with warmth and hope, rekindling
enthusiasm and ambition in the breast of youth, and gilding even much
of the sordid dirt below. It seemed quite natural that she should meet
Major Ostrander not many yards away as she sallied out. In that bright
spring sunshine and the hopeful spring of their youth they even laughed
at the previous day's disappointment. Ah! what a claque it was, after
all! For himself, he, Ostrander, would much rather see that satin-faced
Parisian girl who had got the prize smirking at the critics from the
boards of the Grand Opera than his countrywoman! The Conservatoire
settled things for Paris, but Paris wasn't the world! America would
come to the fore yet in art of all kinds--there was a free academy
there now--there should be a Conservatoire of its own. Of course, Paris
schooling and Paris experience weren't to be despised in art; but, thank
heaven! she had THAT, and no directors could take it from her! This and
much more, until, comparing notes, they suddenly found that they were
both free for that day. Why should they not take advantage of that rare
weather and rarer opportunity to make a little suburban excursion? But
where? There was the Bois, but that was still Paris. Fontainebleau? Too
far; there were always artists sketching in the forest, and he would
like for that day to “sink the shop.” Versailles? Ah, yes! Versailles!
Public-domain text, read in full here on John Shaqi.
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