Tamburlaine the Great — Part 1Marlowe, Christopher
General
Tamburlaine the Great — Part 1
Marlowe, Christopher
English drama; Historical drama; Timur, 1336-1405 -- Drama; Tragedies (Drama)
[Footnote 181: foil] The old eds. "soil."]
[Footnote 182: gat] So the 8vo.--The 4to "got."]
[Footnote 183: pilling] i.e. plundering.]
[Footnote 184: British] So the 4to.--The 8vo "brightest."]
[Footnote 185: martial] So the 8vo.--The 4to "materiall."]
[Footnote 186: Awake, ye men of Memphis!] These words are put into the
mouth of Judas, in Fletcher's BONDUCA, at the commencement of
act ii.; and in Fletcher's WIT WITHOUT MONEY, act v. sc. 2. we
find "thou man of Memphis."]
[Footnote 187: basilisks] Pieces of ordnance so called. They were of
immense size; see Douce's ILLUST. OF SHAKESPEARE, i. 425.]
[Footnote 188: monstrous] To be read as a trisyllable.]
[Footnote 189: Or ever-drizzling] So the 4to.--The 8vo "Or drisling."]
[Footnote 190: should] So the 4to.--The 8vo "shal."]
[Footnote 191: he devil] So the 8vo.--The 4to "he THE deuill."]
[Footnote 192: Arabian king] Scil. Alcidamus: see p. 10, l. 9, sec. col.
(Page 10, Second Column, Line 9, This Play:
"Where her betrothed lord, Alcidamus,")]
[Footnote 193: it] So the 4to.--Omitted in the 8vo.]
[Footnote 194: it should] So the 4to.--The 8vo "should it."]
[Footnote 195: this] So the 8vo.--The 4to "it."]
[Footnote 196: into] So the 4to.--The 8vo "vnto."]
[Footnote 197: heart] So the 4to.--The 8vo "soul."]
[Footnote 198: stoop] Qy. "stoop, STOOP"?]
[Footnote 199: your] Old eds. "their."--Compare the tenth line of the
speech.]
[Footnote 200: to] So the 8vo.--The 4to "on."]
[Footnote 201: brent] i.e. burnt. So the 8vo.--The 4to "burnt."]
[Footnote 202: kings] So the 8vo.--The 4to "king."]
[Footnote 203: from] So the 4to.--The 8vo "in."]
[Footnote 204: then, for you] So the 4to.--The 8vo "for you then."]
[Footnote 205: stark nak'd] Compare (among many passages which might be
cited from our early poets),--
"rather on Nilus' mud
Lay me STARK NAK'D, and let the water-flies
Blow me into abhorring!"
Shakespeare's ANTONY AND CLEOPATRA, act v. sc. 2. (where
the modern editors print "naked.")]
[Footnote 206: dignities] So the 8vo.--The 4to "dignitie."]
[Footnote 207: whiles] So the 8vo.--The 4to "while."]
[Footnote 208: shalt] So the 4to.--The 8vo "shal."]
[Footnote 209: grace] Olds eds. "grac'd."]
[Footnote 210: stature] So the 8vo.--The 4to "statue:" but again, in the
SECOND PART of this play, act ii. sc. 4, we have, according to
the 8vo--
"And here will I set up her STATURE."
and, among many passages that might be cited from our early
authors, compare the following;
"The STATURES huge, of Porphyrie and costlier matters made."
Warner's ALBIONS ENGLAND, p. 303. ed. 1596.
"By them shal Isis STATURE gently stand."
Chapman's BLIND BEGGER OF ALEXANDRIA, 1598, sig. A 3.
"Was not Anubis with his long nose of gold preferred before
Neptune, whose STATURE was but brasse?"
Lyly's MIDAS, sig. A 2. ed. 1592.]
[Footnote 211: bird] i.e. the ibis.]
[Footnote 212: are] Old eds. "is."]
Public-domain text, read in full here on John Shaqi.
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