American fiction -- 20th century; Short stories, American
Love of life lulled Yaqui back into his dreams. To live, to have his
people round him, to see his dusky-eyed wife at her work, to watch
the little naked children playing in the grass, to look out over that
rolling, endless green valley, so wild, so lonely, so fertile--such a
proof of god in the desert--to feel the hot sun and the sweet wind and
the cool night, to linger on the heights watching, listening, feeling,
to stalk the keen-eyed mountain sheep, to eat fresh meat and drink pure
water, to rest through the solemn still noons and sleep away the silent
melancholy nights, to enjoy the games of his forefathers--wild games
of riding and running--to steal off alone into the desert and endure
heat, thirst, cold, dust, starvation while he sought the Indian gods
hidden in the rocks, to be free of the white man whom he recognized as
a superior and a baser being--to live like the eagles--to live--Yaqui
asked no more.
Yaqui laid the baby back in the cradle of its mother’s breast and
stalked out as a chief to inspire his people.
In that high altitude the morning air was cold, exhilarating, sweet to
breathe and wonderful to send the blood racing. Some winter mornings
there was just a touch of frost on the leaves. The sunshine was
welcome, the day was short, the night was long. Yaqui’s people reverted
to their old order of happy primitive life before the white man had
come with greed for gold and lust to kill.
The day dawned in which Yaqui took his son out and put him upon a
horse. As horsemen the Yaquis excelled all other Indian tribes of the
Southwest. Boys were given lessons at an early age and taught to ride
bareback. Thus as youths they developed exceeding skill and strength.
Some of the braves had rounded up a band of wild horses and had driven
them into a rough rock-walled triangle, a natural trap, the opening of
which they had closed with a rude fence. On this morning the Yaquis all
assembled to see the wild horses broken. Yaqui, as an inspiration to
his little son and to the other boys of the tribe, chose the vicious
leader of the band as the horse he would first ride and break. High
on the rocky wall perched the black-eyed boys, eager and restless,
excited and wondering, some of them naked and all of them stretching
out tousled black heads with shining ragged hair flying in the wind.
The women and girls of the tribe occupied another position along the
outcropping of gray wall, their colorful garments lending contrast to
the scene.
The inclosure was wide and long, containing both level and uneven
ground, some of which was grass and some sand and rock. A few ironwood
trees and one huge paloverde, under which Indians were lolling,
afforded shade. At the edge of the highest slope began a line of pine
trees that reached up to the bare gray heights.
Public-domain text, read in full here on John Shaqi.
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