This lady had a pale fawn-coloured face, looking like the protagonist of a _crime passionel_. She multiplied her social responsibilities at every turn. But her manner implied that the quite ordinary burdens of life were beyond her strength. The two rooms with folding doors, which formed her salon and where her guests were now gathered, had not been furnished at haphazard. The “Concert” of Giorgione did not hang there for nothing. The books lying about had been flung down by a careful hand. Fräulein Lipmann required a certain sort of admiration. But she had a great contempt for other people, and so drew up, as it were, a list of her attributes, carefully and distinctly underlining each. With each new friend she went over again the elementary points, as a schoolmistress would go over with each new pupil the first steps of grammar or geography, position of his locker, where the rulers were put, etc. She took up her characteristic attitudes, one after the other, as a model might; that is, those simplest and easiest to grasp. Her room, dress and manner were a sort of chart to the way to admire Fräulein Lipmann; the different points in her soul one was to gush about, the different hints one was to let fall about her “rather” tragic life-story, the particular way one was to regard her playing of the piano. You felt that there was not a candlestick, or antimacassar in the room but had its lesson for you. To have two or three dozen people, her “friends,” repeating things after her in this way did not give her very much satisfaction. But she had a great many of the characteristics of the “school-marm,” and she continued uninterruptedly with her duties teaching “Lipmann” with the solemnity, resignation and half-weariness, with occasional bursts of anger, that a woman would teach “twice two are four, twice three are six.” Her best friends were her best pupils, of course. The rooms were furnished with somewhat the severity of the schoolroom, a large black piano—for demonstrations—corresponded more or less to the blackboard. “Herr Schnitzler just tells me that dress is _de rigueur_. Miss Bennett says it doesn’t matter; but it would be awkward if you couldn’t get in.” She was continuing their late conversation. “You see it’s not so much an artists’ club as a place where the English _Société permanente_ in Paris meet.” “Yes, I see; of course, that makes a difference! But I asked, I happened to ask, an English friend of mine to-day—a founder of the club, Master Lowndes” (this was a libel on Lowndes), “he told me it didn’t matter a bit. You take my word for it, Fräulein Lipmann, it won’t matter a bit,” he reiterated a little boisterously, nodding his head sharply, his eyelids flapping like metal shutters rather than winking. Then, in a maundering tone, yawning a little and rubbing his glasses as though they had now idled off into gossip and confidences: