twelve to sixteen pickings in a single season, the Chinese grower being
limited to three or four at the utmost.
Each separate picking in India is termed a “Flush,” a number of flushes
constituting a “Break” or “Chop,” as in China, which is rarely more than
100 chests and frequently as low as 20, but generally uniform in grade.
There is another remarkable feature about India teas; it is that while
the first, second and third pickings of all other teas are respectively
inferior to each other there is nothing in the India pickings to denote
their relationship to any crop or gathering. The number of pickings from
the India plant also varies considerably according to the soil,
situation, garden and season. When all these conditions are favorable,
the plantation will yield as many as sixteen “flushes,” while ordinarily
and often under the most unfavorable conditions five to six are obtained
in a single season.
There is no radical difference between the Chinese and Indian methods of
preparation up to what is termed the “Rolling process;” it being
performed in the latter country very lightly and only by a minimum of
pressure by machinery. Each day’s collection is immediately “withered”
until thoroughly evaporated, when they are as promptly cured and fired.
The processes of fermenting and firing are not as detailed or complete
as in China, the India planter aiming to secure the component properties
of a _strong tea_ at the expense of _flavor_ and keeping qualities. In
India the tea is generally prepared from the young shoots, two leaves
only being picked at a time and “withered” in the open air without any
extraneous aid, much, however, depending on the skill and knowledge of
the operators in arresting the process at the exact moment. When the
proper point is reached they are immediately removed to a “drying” room,
and laid out on trays until the excessive moisture has been dissipated,
this process being hastened by occasional blasts of hot air driven
through by a machine. When sufficient moisture has been extracted they
are placed in a heavy rolling machine and tossed about until all the
cellular tissues are broken, when they begin to curl up tightly, as if
by the action of the hand, after which they are placed in heaps on
tables for some hours to allow them to ferment; the color, meanwhile,
changing from green to a dark bronze during the process.
Public-domain text, read in full here on John Shaqi.
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