Temporal Power: A Study in SupremacyCorelli, Marie
Philosophy
Temporal Power: A Study in Supremacy
Corelli, Marie
Religious fiction
Meanwhile, the King had sought his consort in her own apartments.
Walking down the great corridor which led to these, the most beautiful
rooms in the palace, he became aware of the silvery sound of stringed
instruments mingling with harmonious voices,--though he scarcely heeded
the soft rush of melody which came thus wafted to his ears. He was full
of thoughts and schemes,--his son’s refusal to confide in him had not
seriously troubled him, because he knew he should, with patience, find
out in good time all that the young Prince had declined to explain,--and
his immediate interest was centred in his own immediate plans.
On reaching the ante-room leading to the Queen’s presence-chamber, he
was informed that her Majesty was listening to a concert in the rosery.
Thither he went unattended,--and passing through a long suite of
splendid rooms, each one more sumptuously adorned than the last, he
presently stepped out on the velvet greensward of one of the most
perfect rose gardens in the world--a garden walled entirely round with
tall hedges of the clambering flowers which gave it its name, and which
were trailed up on all sides, so as to form a ceiling or hanging
canopy above. In the centre of this floral hall, now in full blossom,
a fountain tossed up one tall column of silver spray; and at its upper
end, against a background of the dainty white roses called “Felicité
perpétuelle” sat the Queen, in a high chair of carved ivory, surrounded
by her ladies. Delicious music, performed by players and singers who
were hidden behind the trees, floated in voluptuous strains upon the
air, and the King, looking at the exquisite grouping of fair women and
flowers, lit by the coloured lamps which gleamed here and there among
the thick foliage, wondered to himself how it chanced, that amid
surroundings which were calculated to move the senses to the most
refined and delicate rapture, he himself could feel no quickening pulse,
no touch of admiration. These open-air renderings of music and song were
the Queen’s favourite form of recreation;--at such times alone would her
proud face soften and her eyes grow languid with an unrevealed weight of
dreams. But should her husband, or any one of his sex break in upon the
charmed circle, her pleasure was at once clouded,--and the cold hauteur
of her beautiful features became again inflexibly frozen. Such was the
case now, when perceiving the King, she waved her hand as a sign for the
music to cease; and with a glance of something like wonderment at his
intrusion, saluted him profoundly as he entered the precincts of her
garden Court. But for once he did not pause as usual, on his way to
where she sat,--but lightly acknowledging the deep curtseys of the
ladies in attendance, he advanced towards her and raising her hand in
courtly homage to his lips, seated himself carelessly in a low chair at
her feet.
“Let the music go on!” he said; “I am here to listen.”
Public-domain text, read in full here on John Shaqi.
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