He sat back and closed his eyes. Three people dead. One person maimed.
Blood in the streets.
Good job well done.
He opened a drawer of his desk and reached for the Scotch bottle.
* * * * *
At the Newark Airport he would not trust his suitcase to a porter
because the leather loop holding one side of the handle was very thin
and he was afraid it would break.
Once he had been ashamed of the shabbiness of the bag and had planned to
buy a new one, but now there was an affinity between them, a kind of
warmth.
Were they companions in misery?
He asked the question with a quick smile and then realized he was not
miserable. A little bleak of mind, perhaps, with Minnesota and what lay
ahead affording no glow of anticipation in his mind. But that would
pass. No, he had relegated the hurt to a mental pigeonhole; maybe he
would bring it out and look at it once in a while, after enough time had
passed.
But he was not miserable.
He went to the counter, checked in, and they told him his plane would
take off on time. He glanced at his watch. Thirty-two minutes.
He went back to the bench and found Rhoda Kane sitting beside his
suitcase.
She wore a plain, black suit with a ridiculous little black hat and she
was so beautiful he was angry with her. He hated her. This good-bye
wasn't necessary. Why had she come?
Her face was pale and drawn; her smile was as abstract as the mystery on
the lips of the Mona Lisa. She laid a hand on the suitcase.
"We had our first quarrel over it, remember? We went to Puerto Rico for
that week and I wanted to use mine but you said, 'Goddamn it, if you're
ashamed of my suitcase you're ashamed of me, so the hell with it.'"
"I remember."
He sat down beside her, lit a cigarette, and then dropped it on the
floor and stepped on it. They both looked straight ahead.
"Take me with you, Frank."
"That's impossible."
"I know, but take me with you."
"There will be no money. I'll live in a stuffy room somewhere."
"What difference does that make? Take me."
"You have your job. You're on the way up. It would be unthinkable."
"I don't have any job. I quit. I was halfway through a piece of
copy--very important copy--and I got up and walked into Mr. Frankel's
office. I said, 'Mr. Frankel, it's been very nice working for you. I
appreciate all you've done but I'm leaving now. The pencils are all
sharpened on my desk and the next girl can have the new leather-bound
address book in the lower right hand drawer that I bought but never
used! That was a silly thing to say, wasn't it?"
"I suppose so."
"And the way I phrased it. I actually said I'd bought the lower right
hand drawer and hadn't used it--take me with you, Frank."
"Rhoda, I was so wrong in--"
Public-domain text, read in full here on John Shaqi.
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