Teresa of Watling Street: A Fantasia on Modern ThemesBennett, Arnold
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Teresa of Watling Street: A Fantasia on Modern Themes
Bennett, Arnold
English fiction -- 20th century
‘You talk in riddles,’ he said firmly. ‘We can do nothing here; let us
go back to Hockiffe.
I will accompany you, and on the way you shall answer my questions. I
have many to put to you. Leave everything to me; imagine that I am your
brother. I have often laughed at the man’s phrase to a woman, “I would
lay down my life for you,” but at this moment I feel what it means.
Do not mistake me; do not think I am talking wildly. Perhaps I have a
better idea of your trouble than you think. But, in any case, you must
trust me as you trusted me when first you saw me. You must rely on me.
Come, let us go.’
She rose and moved towards the door, ‘Thanks,’ she said, nothing more
than that--‘thanks.’
In one part of his mind Richard wondered at himself, in another he felt
curiously and profoundly happy.
CHAPTER X--MONEY-MAKING
They passed northwards through the night of London in the Décauville
car, Richard and Teresa side by side on the front seats, old Mrs.
Bridget in her black alpaca behind, up Regent Street, along Oxford
Street, up the interminable Edgware Road, through Kilburn, and so on to
Edgware and the open road and country.
‘Bridget knows all my secrets, Mr. Redgrave,’ said Teresa. ‘Moreover,
she has no ears unless I wish it.’
‘Sure, miss,’ said Bridget, ‘more gets into my head than goes out.
’Tis for all the world like a Jew’s pocket.’
This fragment of conversation was caused by Richard’s sudden stoppage
in the middle or a remark about Micky, who, Teresa told him, had
disappeared concurrently with her father.
‘What were you going to say about Micky?’
Teresa asked.
‘I was going to say,’ Richard answered, ‘that things are not what they
seem.’
‘You mean that Micky, too, was a----’
She hesitated.
‘Yes, like me, only rather more professional.’
‘Bridget told me this morning that she had heard poor father and Micky
at high words in the middle of last night. After that she says there was
a silence for a long time, and then father called her up and gave her
the message for you.’
The sentences were spoken without hesitation, and yet in a strangely
unnatural voice.
‘You’re forgetting one little thing, miss.’
‘Hush, Bridget!’ Teresa exclaimed.
‘If I am to help you I must be in possession of the facts.’
‘Tell him, miss; tell the gintleman, do. The gintleman is a gintleman.’
Teresa sat up straight in the speeding car. ‘Yes,’ she said, ‘you must
know. There was a revolver-shot. Bridget says she heard the sound of a
revolver-shot. Oh, Mr. Redgrave! what does it mean? I dared not tell you
of that before. If my father----’
She ceased.
‘Micky has left no trace behind?’
‘None.’
‘Where did the sound of the shot come from?’
‘Sure, from the drawing-room, where the master always kept his
pistol-thing in the clock-case. Master and the scoundrel Micky were
talking in there.’
‘Suppose,’ suggested Richard, ‘that it was Micky who had a revolver.’
Public-domain text, read in full here on John Shaqi.
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