Thames Valley Villages, Volume 1 (of 2)Harper, Charles G. (Charles George)
History
Thames Valley Villages, Volume 1 (of 2)
Harper, Charles G. (Charles George)
Thames Valley (England)
At New Bridge the river Windrush falls into the Thames, from its source
in the Cotswolds, thirty miles away, after passing through Witney, and
by some very beautiful scenes. It is the “nitrous Windrush” of Drayton’s
verse: those supposed nitric qualities of its waters having originally
led to the establishment of Witney’s blanket-making industry.
That the flat, low-lying lands here were in former times under water
seems sufficiently evident in the name of Standlake, a village a
mile-and-a-half distant from New Bridge. A British village, discovered
in 1857, near by, may have been one of those lake-villages in which,
for security, our remote ancestors dwelt. The church of Standlake has a
quaint semi-detached octangular tower, crowned with a spire.
There are some curious and interesting places to be found in these flat,
unfrequented lands. Proceeding towards Northmoor, ever and again crossing
tributary rills of the Windrush, the moated manor-house, now a farm, of
“Gaunt’s House” lies secluded amid meadows. It takes its name from one
John Gaunt, who originally built it about 1440, but there is nothing
nearly so old here to-day. The place has its own little niche in history,
for in the seventeenth century, at the outbreak of the Civil War, it was
the property of that Dr. Samuel Fell, Dean of Christ Church, Oxford, who
was the subject of the famous undergraduate rhyme—
“The reason why I cannot tell,
I do not like thee, Doctor Fell.”
The Doctor was a Royalist, and his moated house here was held for that
side in 1644. After a stubborn defence by its garrison of fifty men,
who kept a besieging force of eight hundred at bay for three days, it
surrendered on May 31, 1645. The house, greatly injured in this warlike
passage, was rebuilt in 1669 by Dr. John Fell, who also was Dean of
Christ Church. It is not a picturesque house, and seems to have been
greatly modernised about the beginning of the nineteenth century. The
woodwork of one of the doors is, however, curiously pierced, as though
for musketry defence.
But, although the house itself is commonplace, the broad moat, brimming
full of water, is beautiful, and in summer-time is so covered with
waterlilies that the water itself is not to be seen. Let those who think
this the language of exaggeration go and see for themselves.
[Illustration: NORTHMOOR: CHURCH AND DOVECOTE.]
An old bridge, replacing a former drawbridge, gives access to the house,
through two tall gateposts surmounted by worn stone heraldic effigies,
blunted by time out of all recognisable likeness; not only to anything
in nature, but even to anything in heraldry. Here, serving to keep the
wooden gateway open, is an iron cannon-ball found in the moat, which,
according to an inscription on the wall, was cleared in 1883.
Public-domain text, read in full here on John Shaqi.
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