Thames Valley Villages, Volume 2 (of 2)Harper, Charles G. (Charles George)
History
Thames Valley Villages, Volume 2 (of 2)
Harper, Charles G. (Charles George)
Thames Valley (England)
or wooden bridge than the defences described by Cæsar, and say, further,
that their being shod with lead or iron is a proof that they formed
part of some deliberately constructed work and not a hastily thrown up
defence. The position of the stakes, four feet apart and in a double
row, with a passage of nine feet between, has given rise to an ingenious
speculation that they formed an aid to fording the river, both for
passengers and cattle, instead of being designed as an obstruction. This,
then, according to that view, was the Cow Way, principally devoted to
the convenience of the cattle belonging to Shepperton, to go and return
between that place and the detached grazing-grounds of Coway Sale on the
Surrey side of the river.
[Illustration: GRAVE OF THOMAS LOVE PEACOCK’S DAUGHTER, SHEPPERTON.]
But that there has been fighting hereabouts is evident enough in the
name of a portion of the grounds of Shepperton Manor House, known from
time immemorial as “War Close.” At the time when Coway Stakes were driven
into the bed of the river, to form a safe passage for the cows, or in
the futile hope of withstanding the advance of the masterful Romans,
the river must have spread like some broad lagoon over the surrounding
meadows, and would have been much more shallow than now. Walton Bridge,
in its great length, much of it devoted to crossing those low-lying
meadows, gives point to this contention.
[Illustration: BRADSHAW’S HOUSE, WALTON-ON-THAMES.]
The village of Walton-on-Thames is at the end of its tether as a
village, and the only interesting things in it are its church, and what
is known as the “Old Manor House.” Dark yews form a fine setting to
the old church, whose tower of flint and rubble, with repairs effected
in brick, survives untouched by the restorer of recent years. The
interior, although greatly suburbanised, discloses some as yet unspoiled
Transitional-Norman portions. Here, in the stonework near the pulpit, is
cut the famous non-committal verse ascribed to Queen Elizabeth, on the
sacramental bread-and-wine:
Christ was the worde and spake it;
He took the bread and brake it;
And what the Worde doth make it,
That I believe and take it.
Here is preserved a scold’s, or gossip’s, bridle, otherwise “the branks,”
an old English instrument of punishment and repression for a scolding or
gossiping woman. On it is, or was, the inscription,
Chester presents Walton with a bridle
To curb women’s tongues that talk too idle.
The instrument is now so rusted that it is difficult, if not impossible,
to trace the words. The date of it, and who this Chester was, are
not known; but legend has long told that he was a gentleman who lost
a valuable estate in the neighbourhood through the malevolence and
irresponsibility of a lying woman.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account