If Philip had talked to her as he had to Celia about his plans for success in life she would have been less interested. But there was nothing to warn her personally in these unworldly confessions. Nor did Philip ever seem to ask anything of her except sympathy in his ideas. And then there was the friendship of Alice, which could not but influence the girl. In the shelter of that the intercourse of the summer took on natural relations. For some natures there is no nurture of love like the security of family protection, under cover of which there is so little to excite the alarm of a timid maiden. It was fortunate for Philip that Miss McDonald took a liking to him. They were thrown much together. They were both good walkers, and liked to climb the hills and explore the wild mountain streams. Philip would have confessed that he was fond of nature, and fancied there was a sort of superiority in his attitude towards it to that of his companion, who was merely interested in plants-just a botanist. This attitude, which she perceived, amused Miss McDonald. “If you American students,” she said one day when they were seated on a fallen tree in the forest, and she was expatiating on a rare plant she had found, “paid no more attention to the classics than to the world you live in, few of you would get a degree.” “Oh, some fellows go in for that sort of thing,” Philip replied. “But I have noticed that all English women have some sort of fad--plants, shells, birds, something special.” “Fad!” exclaimed the Scotchwoman. “Yes, I suppose it is, if reading is a fad. It is one way of finding out about things. You admire what the Americans call scenery; we, since you provoke me to say it, love nature--I mean its individual, almost personal manifestations. Every plant has a distinct character of its own. I saw the other day an American landscape picture with a wild, uncultivated foreground. There was not a botanical thing in it. The man who painted it didn't know a sweetbrier from a thistle. “Just a confused mass of rubbish. It was as if an animal painter should compose a group and you could not tell whether it was made up of sheep or rabbits or dogs or foxes or griffins.” “So you want things picked out like a photograph?” “I beg your pardon, I want nature. You cannot give character to a bit of ground in a landscape unless you know the characters of its details. A man is no more fit to paint a landscape than a cage of monkeys, unless he knows the language of the nature he is dealing with down to the alphabet. The Japanese know it so well that they are not bothered with minutia, but give you character.” “And you think that science is an aid to art?”