The £1,000,000 bank-note, and other new storiesTwain, Mark
General
The £1,000,000 bank-note, and other new stories
Twain, Mark
American essays -- 19th century; American fiction -- 19th century; Humorous stories, American
last rubbish of creation. With what solicitude she awaits his return!
Sleep fails to perform its office—she weeps while the nocturnal shades
of the night triumph in the stillness. Bending over some favourite book,
whilst the author throws before her mind the most beautiful imagery, she
startles at every sound. The midnight silence is broken by the solemn
announcement of the return of another morning. He is still absent: she
listens for that voice which has so often been greeted by the melodies
of her own; but, alas! stern silence is all that she receives for her
vigilance.
Mark her unwearied watchfulness, as the night passes away. At last,
brutalised by the accursed thing, he staggers along with rage, and,
shivering with cold, he makes his appearance. Not a murmur is heard from
her lips. On the contrary, she meets him with a smile—she caresses him
with her tender arms, with all the gentleness and softness of her sex.
Here, then, is seen her disposition, beautifully arrayed. Woman, thou
art more to be admired than the spicy gales of Arabia, and more sought
for than the gold of Golconda. We believe that woman should associate
freely with man, and we believe that it is for the preservation of her
rights. She should become acquainted with the metaphysical designs of
those who condescend to sing the siren song of flattery. This, we think,
should be according to the unwritten law of decorum, which is stamped
upon every innocent heart. The precepts of prudery are often steeped in
the guilt of contamination, which blasts the expectations of better
moments. Truth, and beautiful dreams—loveliness, and delicacy of
character, with cherished affections of the ideal woman—gentle hopes and
aspirations, are enough to uphold her in the storms of darkness, without
the transferred colourings of a stained sufferer. How often have we seen
it in our public prints, that woman occupies a false station in the
world! and some have gone so far as to say it was an unnatural one. So
long has she been regarded a weak creature, by the rabble and
illiterate—they have looked upon her as an insufficient actress on the
great stage of human life—a mere puppet, to fill up the drama of human
existence—a thoughtless inactive being,—that she has too often come to
the same conclusion herself, and has sometimes forgotten her high
destination, in the meridian of her glory. We have but little sympathy
or patience for those who treat her as a mere Rosy Melinda—who are
always fishing for pretty compliments—who are satisfied by the gossamer
of romance, and who can be allured by the verbosity of high-flown words,
rich in language, but poor and barren in sentiment. Beset, as she has
been, by the intellectual vulgar, the selfish, the designing, the
cunning, the hidden, and the artful—no wonder she has sometimes folded
her wings in despair, and forgotten her _heavenly_ mission in the
delirium of imagination; no wonder she searches out some wild desert, to
find a peaceful home.
Public-domain text, read in full here on John Shaqi.
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