course of time by Serlo and Tosti, Canons of York, whose wealth greatly
enriched the abbey. Within three years of their arrival beside the
Skell, the monks of Fountains had acquired land and riches.
Though the Cistercian abbeys do not contain so much rich moulding, nor
in any way approach the intricate workmanship of the great Benedictine
abbeys, the austere dignity and simple grandeur make the Cistercians’
work every whit as imposing and beautiful as that of the earlier orders.
What ruins of a Benedictine house can compare with the grace of those of
Tintern, Whitby, Newstead, and Fountains Abbeys, built by the Cistercian
or “White monks”?
The cultivated surroundings of Fountains Abbey help in great measure to
place it in the foremost rank of the many beautiful ruins in England.
Surrounded by thickly-wooded trees, from which many delightful and
unexpected glimpses of the ruins may be descried, the Abbey of St Mary’s
stands in grounds of which words fail to describe the enchantment and
many beauties. A level piece of land, watered by the river Skell,
extends immediately beyond the ruins, but in all directions, green
slopes, and gentle, leafy eminences meet the eye, while in the far
distance the Yorkshire wolds form a dark and effective background to the
grey stone of the picturesque ruins. The skeleton of the lofty northern
tower gives a sense of completeness to the ruins, and helps to create
the illusion, when viewing the abbey from a distance, that the edifice
has suffered but little from the ravages of time. On closer inspection
it will be seen that sufficient is yet in good preservation to show the
spaciousness and loftiness of the various apartments, and the admirable
proportions of the abbey church. This imposing edifice measures 385 feet
by 67 feet, and is composed of a nave of eleven bays, divided from its
aisles by massive columns of Norman Transitional work. Above is a
clerestory formed of round-headed lights resting on the string course. A
Galilee of the same period stood at the west end of the nave, and in it
were interred, as at Canterbury, the bodies of the primates. The
transepts had each two chapels, and adjoining the north wing, a tower of
four stages was built in the 15th and 16th centuries by Abbot Marmaduke
Huby. John of York built the aisleless choir in the 15th century. Beyond
it is the magnificent Lady chapel, 150 feet in length, in which Abbot
John of Kent placed nine altars as in Durham Cathedral. The great east
window, now a blank, is of Perpendicular work. In addition to the church
are many most interesting buildings. Foremost among these are the
celebrated cloisters on the western side of the cloister garth. The
vaulting here is still intact, and covers a nave of two aisles, divided
by a range of columns. The almost subterranean gloom is lighted by
several lancet-windows, themselves enveloped in thick foliage. The
cloister garth is 126 feet square, the church being on the north side,
Public-domain text, read in full here on John Shaqi.
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