The Aftermath; Or, Gleanings from a Busy Life: Called upon the outer cover, for purposes of sale, Caliban's Guide to LettersBelloc, Hilaire
General
The Aftermath; Or, Gleanings from a Busy Life: Called upon the outer cover, for purposes of sale, Caliban's Guide to Letters
Belloc, Hilaire
Authorship; Satire
“But, of course, that is quite an exception. Most things won’t
stand anything but dialect, and I just give you this tip gratis.
You can make anything individual and strong by odd spelling. It
arrests the attention, and you haven’t got to pick your words.
Did you ever read a beautiful work called _Colorado Bill; or,
From Cowboy to President_? Well, I can assure you that when it
was in English, before being turned into dialect, it was quite
ordinary-like.”
“But that ain’t all. One has now and then to strike a deeper note,
and striking a deeper note is so simple, that I wonder it has not
occurred to others of our poets. You have got to imagine yourself
in a church, and you must read over your manuscript to yourself in
that kind of hollow voice--you know what I mean.”
I swore that I did.
“_Now_, you see why one puts ‘ye’ for ‘you,’ and ‘ye be’ for
‘you are,’ and mentions the Law in so many words. It is not very
difficult to do, and when one does succeed, one gets what I call A1
copper-bottomed poetry.”
He went to a corner of the room, opened a large, scented,
velvet-bound book upon a brass reading-desk, looked at me severely,
coughed twice, and began as follows:
“I am about to read you ‘In the Confessional.’ The greatest critic
of the century has called this the greatest poem of the century. I
begin at the third verse, and the seventeenth line:--
* * * * *
“Lest he forget the great ally
In heaven yclept hypocrisy,
So help me Bawb! I’ll mark him yet--
Lest he forget! Lest he forget!”
* * * * *
He closed the book with becoming reverence.
And there was a silence, during which the grand words went on
running in my head as their author had meant them to do. “Lest he
forget! Lest he forget!” Ah, may heaven preserve its darling poet,
and never let him fall from the height of that great message.
“Well,” said he, genially, anticipating my applause, “Good-bye.
But before you go please let me beg you to tell the public that
I lately wrote something for the _Times_ a great deal better
than anything else I have ever written. Nobody seems to read the
_Times_,” he continued, in a tone of slight petulance, “and I have
not seen it quoted anywhere. I wonder if it is properly known?
Please tell people that that little note about ‘copyright’ is only
for fun. _Anyone_ may use it who likes--I had a paragraph put
in the papers to say so. It’s like this--” He then added a few
conventional words of God-speed, and I left him. I have never seen
him since.
And yet ... and yet....
Public-domain text, read in full here on John Shaqi.
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