English literature -- 18th century -- History and criticism; Pope, Alexander, 1688-1744
writer, and for the most part lacks the exquisite precision, the subtle
wit, the rhythmical felicity, which make the couplets of Pope so
memorable. _The Dunciad_, the _Moral Essays_, and the _Imitations_ are
read by all lovers of literature, but _The Universal Passion_ is
forgotten. Of the six satires, the two on women are the most spirited,
and may be compared with Pope's on the same subject. The different
foibles, and faults worse than foibles of the women of that day are
exhibited with a satirist's licence, and occasionally with a Pope-like
terseness. Take the following, for example:
'There is no woman where there's no reserve,
And 'tis on plenty your poor lovers starve.'
'Few to good breeding make a just pretence;
Good breeding is the blossom of good sense.'
'A shameless woman is the worst of men.'
'Naked in nothing should a woman be,
But veil her very wit with modesty.'
It was not until he was nearly fifty that Young, disappointed of the
preferment he sought, took holy orders, and in 1730 accepted the college
living of Welwyn, in Herts, which he held till his death.
In the following year the poet married Lady Elizabeth Lee, a daughter of
the Earl of Lichfield, a union that lasted ten years. One son was the
offspring of this marriage. Lady Elizabeth had a daughter by a former
marriage, who was married to Mr. Temple, a son of Lord Palmerston, and
shortly before her own death she lost both daughter and son-in-law, who,
there can be little doubt, are the Philander and Narcissa of the _Night
Thoughts_, the earlier books of which were published in 1742. This once
celebrated poem, written in his old age, is the one effort of Young's
genius that has enjoyed a great popularity. It suited well an age which,
while far from moral, delighted in moral treatises and in didactic
verse. In the _Night Thoughts_ Young remembers that he is a clergyman,
and puts on his gown and bands. He puts on also his singing robes, and
shows the reader what none of his earlier poems prove, that he is in the
presence of a poet.
Public-domain text, read in full here on John Shaqi.
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