The Alhambra: being a brief record of the Arabian conquest of the Peninsula with a particular account of the Mohammedan architecture and decorationCalvert, Albert Frederick
Islamic
The Alhambra: being a brief record of the Arabian conquest of the Peninsula with a particular account of the Mohammedan architecture and decoration
The doors are of white wood, with similar mouldings and ornaments on
either side; the decorations were originally in colour, traces of which
may still be discovered. The folding doors are hung on pivots, which are
let into the socket of a marble slab below, and above into the soffit of
a beam which crosses the colonnade of the Court of the Lions. This
method of hanging the doors is precisely similar to that adopted in
ancient temples, and is still practised throughout the East. The manner
in which the bolt secures, at the same time, both flaps of the larger
doors and the wicket, is full of ingenuity.
Don Rafaél Contreras caused these doors, or what remained of them, to be
replaced in the position for which they were originally intended. He
found the fragments amid the lumber of the palace! His own words are:
“Nous l’avons restaurée en 1856, l’ayant trouvé _brisée en quatre
morceaux, abandonnée dans les magasins du palais_”--They were found,
broken into four pieces, in the lumber rooms of the palace.
PATIO DE LA ALBERCA--THE COURT OF THE FISH-POND.
This Court was called in former times _Patio de los Arrayanes_--the
Court of the Myrtles--by reason of its beautiful flowering shrubs which
gem either side of the Fishpond; trim myrtle hedges, and orange trees
rising beside the water.
To enter the Court of the Fish-pond is to be straightway translated to
the palace of Haroun-al-raschid: Granada changes to Damascus. The
Moorish arches, springing from slender palm-tree shafts, are of
bewildering beauty; the walls, no longer forbidding blocks of stone, but
pierced trellises, that turn sunlight and moonlight into patterns
resembling so much Venetian filigree. “Surely they are needle-work
turned to stone,” says a traveller of long ago; “or some great Sultán
has built them with panels cut from caskets of Indian ivory, though the
piecing be not seen. The myrtles grow green and glossy round the great
marble tank, 150 feet long, which flows with mellow water, in which
burnished fish--some apparently red-hot, others of molten silver--steer,
flirt, skim, and splash. Never stop to think that the dry, whity-brown,
tubular-tiled, sloping roofs
[Illustration: NORTH SIDE OF THE COURT OF THE FISH-POND.]
[Illustration: ELEVATION OF AN ALCOVE IN THE COURT OF THE FISH-POND.]
[Illustration: ELEVATION OF THE ARCADE ON THE NORTH SIDE OF THE COURT OF
THE FISH-POND.]
[Illustration: SECTION THROUGH PART OF THE COURT OF THE FISH-POND]
[Illustration: AND THE HALL OF THE AMBASSADORS.]
[Illustration: THE BATHS, HALL OF REPOSE.]
EXPLANATION OF THE LETTERS OF REFERENCE IN THIS PLATE.
A A A. Entrances to the quarter of the Palace containing the baths.
B B B B B B. Passages communicating with the different apartments
and baths.
C C. Apartments, looking into.
D D. A Court with a fountain in its centre.
E E Baths and dressing-rooms.
F F F. Warm baths.
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