Verhalen over het gebouwencomplex in Granada, dat eigendom was van de laatste islamitische vorsten in Spanje.
In the course of a few evenings a thorough change took place in the
scene and its associations. The moon, which when I took possession of my
new apartments was invisible, gradually gained each evening upon the
darkness of the night, and at length rolled in full splendor above the
towers, pouring a flood of tempered light into every court and hall. The
garden beneath my window, before wrapped in gloom, was gently lighted
up; the orange-and citron-trees were tipped with silver; the fountain
sparkled in the moonbeams, and even the blush of the rose was faintly
visible.
I now felt the poetic merit of the Arabic inscription on the
walls,--“How beauteous is this garden; where the flowers of the earth
vie with the stars of heaven. What can compare with the vase of yon
alabaster fountain filled with crystal water? nothing but the moon in
her fulness, shining in the midst of an unclouded sky!”
On such heavenly nights I would sit for hours at my window inhaling the
sweetness of the garden, and musing on the checkered fortunes of those
whose history was dimly shadowed out in the elegant memorials around.
Sometimes, when all was quiet, and the clock from the distant cathedral
of Granada struck the midnight hour, I have sallied out on another tour
and wandered over the whole building; but how different from my first
tour! No longer dark and mysterious; no longer peopled with shadowy
foes; no longer recalling scenes of violence and murder; all was open,
spacious, beautiful; everything called up pleasing and romantic fancies;
Lindaraxa once more walked in her garden; the gay chivalry of Moslem
Granada once more glittered about the Court of Lions! Who can do justice
to a moonlight night in such a climate and such a place? The temperature
of a summer midnight in Andalusia is perfectly ethereal. We seem lifted
up into a purer atmosphere; we feel a serenity of soul, a buoyancy of
spirits, an elasticity of frame, which render mere existence happiness.
But when moonlight is added to all this, the effect is like enchantment.
Under its plastic sway the Alhambra seems to regain its pristine
glories. Every rent and chasm of time; every mouldering tint and
weather-stain is gone; the marble resumes its original whiteness; the
long colonnades brighten in the moonbeams; the halls are illuminated
with a softened radiance,--we tread the enchanted palace of an Arabian
tale!
Public-domain text, read in full here on John Shaqi.
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