Americans -- France -- Fiction; Man-woman relationships -- Fiction; Paris (France) -- Fiction; Psychological fiction; Young men -- Fiction
The amiable youth then looked out, as it had first struck Strether, at
a world in respect to which he hadn’t a prejudice. The one our friend
most instantly missed was the usual one in favour of an occupation
accepted. Little Bilham had an occupation, but it was only an
occupation declined; and it was by his general exemption from alarm,
anxiety or remorse on this score that the impression of his serenity
was made. He had come out to Paris to paint—to fathom, that is, at
large, that mystery; but study had been fatal to him so far as anything
_could_ be fatal, and his productive power faltered in proportion as
his knowledge grew. Strether had gathered from him that at the moment
of his finding him in Chad’s rooms he hadn’t saved from his shipwreck a
scrap of anything but his beautiful intelligence and his confirmed
habit of Paris. He referred to these things with an equal fond
familiarity, and it was sufficiently clear that, as an outfit, they
still served him. They were charming to Strether through the hour spent
at the Louvre, where indeed they figured for him as an unseparated part
of the charged iridescent air, the glamour of the name, the splendour
of the space, the colour of the masters. Yet they were present too
wherever the young man led, and the day after the visit to the Louvre
they hung, in a different walk, about the steps of our party. He had
invited his companions to cross the river with him, offering to show
them his own poor place; and his own poor place, which was very poor,
gave to his idiosyncrasies, for Strether—the small sublime indifference
and independences that had struck the latter as fresh—an odd and
engaging dignity. He lived at the end of an alley that went out of an
old short cobbled street, a street that went in turn out of a new long
smooth avenue—street and avenue and alley having, however, in common a
sort of social shabbiness; and he introduced them to the rather cold
and blank little studio which he had lent to a comrade for the term of
his elegant absence. The comrade was another ingenuous compatriot, to
whom he had wired that tea was to await them “regardless,” and this
reckless repast, and the second ingenuous compatriot, and the faraway
makeshift life, with its jokes and its gaps, its delicate daubs and its
three or four chairs, its overflow of taste and conviction and its lack
of nearly all else—these things wove round the occasion a spell to
which our hero unreservedly surrendered.
Public-domain text, read in full here on John Shaqi.
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