The American Diary of a Japanese GirlNoguchi, Yoné
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The American Diary of a Japanese Girl
Noguchi, Yoné
Japan -- Fiction; Japanese -- United States -- Fiction
I bought a golf outfit, nevertheless, in a store on my way home. The
sight of a lady carrying it once stamped itself on my mind as so
charming.
What attire would be becoming to me?
I said that my waist should be of deep red wool. Skirt? It must also be
of wool, of course, with a large checkerboard pattern. Silk isn’t
gamesome, is it? And the hat should be a mouse-coloured felt, which must
be thrust carelessly by my big gold pin with a coral head.
I well-nigh decided to dye my hair red.
What will my uncle say?
20th—Schuyler’s cook wasn’t acquainted with the art of rice-cooking.
Mother Schuyler said explanatorily that she had never tasted properly
cooked rice since the day at Yokohama.
The rice was pasty.
I thought I would boil the rice according to Japanese prescription for
to-day’s dinner.
I stepped down to the kitchen.
I put three cupfuls of rice in a saucepan, and dipped my hand in it, and
supplied water as much as to my wrist.
I placed it on the splendid fire till the agitated water pushed up the
lid. Then I moved it on to a gentle fire. The cooking was done after
twenty minutes.
I was honoured by everybody at the dinner. The rice was singularly fine.
The grains kept their own perfect shapes.
After the dinner I approached Mrs. Schuyler with ink and paper.
“Will you write your recommendation of my rice-cooking?” I said.
She gazed at me questioningly.
“What a funny girl! What shall I say?”
Then I dictated solemnly thus:
“_To whom it may concern:_
“I highly recommend Miss Morning Glory with her honourable art
of rice-cooking. Her method is Japanese, that is to say, the
best in the world.
MRS. SCHUYLER”
21st:—Without a nephew Mother Schuyler wouldn’t be a complete old dear.
She has one fortunately.
Olive San told me a whole lot about her great brother.
He is a promising artist.
Artist?
Doesn’t an artist affect boorish hair? I was anxious to know how his
hair was, because I hated anything long except a frock-coat.
Miss Olive declared him one handsome boy. (I thought how ridiculous is
the American girl to praise her brother. It is Japanese etiquette to
undervalue one’s relatives in describing them.)
I finished my imaginary sketch of his face before we intruded in his
studio.
Olive presented me to him.
He was a comely young man.
What gratified me most about him was his shapely shoes, well-polished.
He knew how to talk with girls.
I was instantly put on unceremonious terms.
How beautifully he once slipped “Miss” in addressing me! His
gracefully-sounding “Pardon me, I mean Miss Morning Glory!” pleased me
enormously.
I told him that it was a regular humbug to be particular.
“I will call you Oscar, shall I?” I said, winking.
I felt some fervid water oozing down my cheeks. I was blushing.
I was glad that he was not Mr. Ellis, Jr. The word “Jr.” appears to me
like a ragged papa’s old coat which is dreadfully out of fashion.
“Will you let me paint you?” he requested.
Public-domain text, read in full here on John Shaqi.
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