The American novel to-day : $b A social and psychological studyMichaud, Régis
History
The American novel to-day : $b A social and psychological study
Michaud, Régis
American fiction -- History and criticism; Psychological fiction, American -- History and criticism; Social problems in literature
In the books of the period men appear only as heroes. If their
daughters met with any mishaps, they were charged to some _ex professo_
scapegoats. Otherwise things in general look as if our first parents
had never committed the original sin. It was the duty of the writer,
the preacher and the politician to confirm people in this optimism and
to promise them felicity in this world and the world hereafter.
As for Dreiser, he was of a different type of mind. He called himself
an independent. He also was in favor of progress but he refused to
believe that it could be achieved without having a scientific view
of things. He refused to stand by any creed. He declared that Truth,
Beauty and Love were only vital lies and capitalized nonentities. Did
he believe in the ideal or did he deny it? One thing he knew, namely,
that man and the world are a fifty-fifty mixture of good and evil. This
was the creed of a realist and Dreiser has never adhered to any other.
He shows a real enthusiasm for facts. He can distil beauty from the
most trivial heap of junk. He himself has told us many times that he
owes his passion for the trivial to his experience as a journalist.
As a true journalist, and as a typical American, he is much more
interested in the news than in the editorials. This explains why
there is a complete absence of ethics and metaphysics in his books.
He rarely comments upon the actual achievements of his heroes. The
editorial rooms of a newspaper, we are told, are an incubator of lies
where ready-made notions are concocted to be swallowed at one gulp.
Humanity, progress, character, morality, the sanctity of the home, and
so forth,--these bribes for the fools come out of the editorial rooms.
A reporter, on the contrary, is only concerned with things and people
as they are. He does not wear gloves to write. He is after what happens
and not what should happen; not after an ideal but after truth. The
rule for the reporter is to get at the news and by the quickest route.
Let him report anything he wants to, provided that he can do it faster
and better than any of his competitors. The public must be served. The
public clamors for news. They must have it.
When he speaks of the reporter, Dreiser gives up all the ethical
standards. Truth alone matters. He knows that a good reporter shows
no scruples. He must get at the facts and to do this all means are
justified, even the trickiest ones.
Public-domain text, read in full here on John Shaqi.
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