The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.MacKellar, Thomas
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The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.
MacKellar, Thomas
Graphic design (Typography); Printing -- United States -- Handbooks, manuals, etc.; Printing industry -- United States
Among those who have investigated the Egyptian hieroglyphs, Mr. R.
Lepsius is one of the most practical, for he has reduced the ancient
characters to typographical uses for the behoof of the delvers into the
earth’s earliest lore. He began the work soon after his return from
a scientific expedition to Egypt during the years 1842-46, and his
hieroglyphic types now completed number more than thirteen hundred. The
Prussian government furnishing the needful pecuniary means, his first
task was to ascertain the forms of hieroglyphic signs which would be most
suitable for typographical purposes, and here the labour was immense.
After laborious research, he reached the conclusion, that as European
print had been formed, not from the monumental characters of the Greeks
and Romans, but essentially from the current handwriting of documents
on parchment and paper, so the hieroglyphic type should follow, not the
chiseled or painted characters on the monuments, but the style of those
written on papyrus. The style and proportions having been established,
the punch-cutting was mostly executed by Mr. Ferdinand Theinhardt, the
excellent Prussian type-founder, who for a series of years has been
skilfully engaged in producing the matrices. We are indebted to Mr.
Theinhardt for the specimens here given; the first of which is the
hieroglyphic alphabet, and the second is the beginning of an ancient text
found in a leather roll of the Royal Museum of Berlin, referring to the
foundation of the temple of the Sun at On or Heliopolis in Egypt.
HIEROGLYPHIC ALPHABET.
[Illustration]
[Illustration: 1 _Renpt_ III _ȧbeṭ_ III _šat . . . xer ḥen n suten xet
xeper-qu-rā sa-rā usertesen maā-xeru ānx tétta r neḥ:_
2 _suten xāt m sexti, xeper ḥemes m tȧṭet, netńu re n ȧmu-xetef, semer nu_
3 _. . . ānx utȧ senb, seru r ȧst senentu, utu téṭet xeft setem set netńu
re m_
4 _seun ḥer-sen. Mā-ten ḥen-a ḥer šau qat, sexa m sep m xut;_
5 _n-mxet ȧrí-ȧ mennu, semen-ȧ utu reṭu n ḥer xuti._]
TRANSLATION.
Done in the month of Hatoor of the third year of the King of Upper and
Lower Egypt Kheperkara Usertesen I.—the blessed and eternally living.
The King, wearing the double crown, sat in the royal hall. There was
held a council of his attendants, the counsellors of the apartments
of the Pharao (may he live!) and the great (chiefs) for the site of
the foundation. Speeches were made, while they listened; and they
deliberated, stepping forward. “Well!” said the King, “let me order the
work and fittingly commemorate deeds of glory. Henceforth I will erect
buildings and lasting steles to the double Horus,” that is to the god of
the rising and setting Sun, etc.
RUNIC ALPHABETS.
Public-domain text, read in full here on John Shaqi.
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