The American Spirit in Literature: A Chronicle of Great InterpretersPerry, Bliss
History
The American Spirit in Literature: A Chronicle of Great Interpreters
Perry, Bliss
American literature -- History and criticism
In the meantime the young man had studied law, though with dislike of
it, and with the confession that he sometimes read The Lyrical Ballads
when he might have been reading Blackstone. One December afternoon in
1815, he was walking from Cummington to Plainfield--aged twenty-one, and
looking for a place in which to settle as a lawyer. Across the vivid
sunset flew a black duck, as solitary and homeless as himself. The bird
seemed an image of his own soul, "lone wandering but not lost." Before
he slept that night he had composed the poem To a Waterfowl. No more
authentic inspiration ever visited a poet, and though Bryant wrote verse
for more than sixty years after that crimson sky had paled into chill
December twilight, his lines never again vibrated with such
communicative passion.
Bryant's ensuing career revealed the steady purpose, the stoicism, the
reticence of the Puritan. It was highly successful, judged even by
material standards. Thanatopsis had been instantly regarded in 1817 as
the finest poem yet produced in America. The author was invited to
contribute to the North American Review an essay on American poetry, and
this, like all of Bryant's prose work, was admirably written. He
delivered his Harvard Phi Beta Kappa poem, The Ages, in 1821, the year
of Emerson's graduation. After a brief practice of the law in Great
Barrington, he entered in 1826 into the unpromising field of journalism
in New York. While other young Knickerbockers wasted their literary
strength on trifles and dissipated their moral energies, Bryant held
steadily to his daily task. His life in town was sternly ascetic, but he
allowed himself long walks in the country, and he continued to meditate
a somewhat thankless Muse. In 1832 he visited his brothers on the
Illinois prairies, and stopped one day to chat with a "tall awkward
uncouth lad" of racy conversational powers, who was leading his company
of volunteers into the Black Hawk War. The two men were destined to meet
again in 1860, when Bryant presided at that Cooper Union address of
Lincoln's which revealed to New York and to the country that the former
captain of volunteers was now a king of men. Lincoln was embarrassed on
that occasion, it is said, by Bryant's fastidious, dignified presence.
Not so Nathaniel Hawthorne, who had seen the poet in Rome, two years
before. "There was a weary look in his face," wrote Hawthorne, "as if he
were tired of seeing things and doing things.... He uttered neither
passion nor poetry, but excellent good sense, and accurate information,
on whatever subject transpired; a very pleasant man to associate with,
but rather cold, I should imagine, if one should seek to touch his heart
with one's own." Such was the impression Bryant made upon less gifted
men than Hawthorne, as he lived out his long and useful life in the
Knickerbocker city. Toward the close of it he was in great demand for
public occasions; and it was after delivering a speech dedicating a
Public-domain text, read in full here on John Shaqi.
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